Fostex X-28 - Tape Sync - Combining Ten MIDI Inputs with Three Tape Tracks.30

12. Now that you have recorded three tape tracks to
augment your sequencer tracks, you can mixdown
all the parts with reverb on a master recorder. To do
this, make sure that the rhythm machine and syn¬
thesizer outputs are connected to the INPUT A
channels, then set the levels of the signals with the
fader and TRIM controls.
13. Play back the sequencer and X-28 in synchroniza¬
tion. Follow the normal mixdown procedure (see
page 19). Adjust the level, PAN and AUX SEND
controls of all channels. Then rehearse the mixdown
as necessary, and record the mix to a master
recorder.
Note: Do not allow the tape sync signal recorded on
track4tobe mixed withthe other signals. During
this entire operation (after the tape sync signal
has been recorded), make sure that the INPUT
SELECT switch for channel 8 is set to INPUT
and that its fader and AUX SEND control are set
toO.
Tape Sync — Combining Ten MIDI Inputs With Three Tape Tracks
The following example demonstrates a creative appli¬
cation of the AUX buss in making a recording with
thirteen independent parts, ten from MIDI instruments
and three recorded tracks. This application splits the
duties of the AUX SEND control and the AUX RTN
inputs to accommodate the additional inputs, and uses
the monitor buss for mastering the final recording.
FSK _
OUT
I_*
Record tape
sync to track
4, then disconnect
Synthesizer, sampler
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