Effect parameters
76
Tube2 (TUBE2)
This amp has a mild tone with low-mid range emphasis.
* The parameters are the same as “SOLID1.”
Hi-Gain1 (HI-GAIN1)
This is an overdriven amp with a heavy low end boost.
1. -----(BLANK)......................
2. BOOST................... [1...10]: Adjusts the amount of boost.
3. PRESENCE......[–12...+12]: Adjusts the volume of the high-fre-
quency range.
4. -----(BLANK)......................
5. -----(BLANK)......................
If the sound is distorted, slightly lower the BOOST and
PRESENCE settings.
Hi-Gain1 (HI-GAIN2)
This is an overdriven amp suitable for hard rock styles.
* The parameters are the same as “HI-GAIN1.”
4. MIC SIMULATOR
When recording sound that is output from an acoustic instru-
ment or a speaker, it is best to use a mic that takes advantage
of the characteristics of the source.
When using the built-in condenser mic of the PXR4, you can
simulate the mic that is most appropriate for the source being
recorded.
VntgDy (VINTAGE DYNAMIC)
This simulates the warm and rich sound of a vintage dynamic
mic, and is ideal for vocals.
1. SETTING................. [1...4]: Switches the location of the mic. (1:
Close, 2: On, 3: Off, 4: Far)
2. TRIM...................... [0...10]: Input trim
3. -----(BLANK)......................
4. -----(BLANK)......................
5. -----(BLANK)......................
When you select the “Close” or “On” setting, the proximity
effect will produce a boosted low range, so you will need to
use “TRIM” to adjust the overall level.
MultiCn (MULTI CONDENSER)
This simulates a general-purpose studio condenser mic, and
has a broad range from low to high frequencies that suits
most instruments.
* The parameters are the same as “VINTAGE DYNAMIC.”
Perc.Cn (PERCUSSION CONDENSER)
This simulates a small condenser mic designed for instru-
ments, which has a distinctive high range and is ideal as an
overhead mic for drums or for use with acoustic guitar.
* The parameters are the same as “VINTAGE DYNAMIC.”
Whale.Dy (WHALE DYNAMIC)
This simulates a mic characterized by clarity and a sense of
volume, and is ideal for drum sounds.
* The parameters are the same as “VINTAGE DYNAMIC.”
Vocal.Cn (VOCAL CONDENSER)
This simulates a widely-used studio condenser mic, and is
ideal for vocals, acoustic instruments, and narrations.
* The parameters are the same as “VINTAGE DYNAMIC.”
Vocal.Tb (VOCAL TUBE)
This simulates a vintage tube mic, and is ideal for vocals.
* The parameters are the same as “VINTAGE DYNAMIC.”
BDrum.Dy (B DRUM DYNAMIC)
This simulates a fairly large dynamic mic, and is suitable
when you want to capture the sense of air movement felt with
a close-miked bass drum.
* The parameters are the same as “VINTAGE DYNAMIC.”
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