48
7.2–1d: Master EQ Gain [dB]
Low [–18.0...+18.0]
Mid [–18.0...+18.0]
High [–18.0...+18.0]
These are the same as in Program mode. (☞PROG 7.2–1:
Setup)
■ 7.2–1e: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c),
“Select by Category” (PROG 7.2–1d)
For details on how to select the desired utility function, refer
to “PROG 1.1–1c: UTILITY.”
Copy Master Effect
☞p.28 PROG 7.2–1d
Note, the MIDI control channel that is specified by “MFX1, 2
Control Ch” (7.2–1a) will not be copied.
Swap Master Effect
☞p.29 PROG 7.2–1d
Note, the MIDI control channel that is specified by “MFX1, 2
Control Ch” (7.2–1a) will not be swapped.
7.2–2: MFX1 (Master Effect1)
7.2–3: MFX2 (Master Effect2)
Here you can set the parameters of the “Master Effect1” and
“Master Effect2” effects that were selected in the Setup page
(
☞p.164–).
■ 7.2–2(3)a: UTILITY
☞ “Write Combination” (1.1–1c)
7.2–4: MEQ (Master EQ)
The master EQ is a three-band stereo EQ. It is located imme-
diately before the AUDIO OUTPUT (MAIN OUT) L/
MONO and R from the L/R bus, and adjusts the overall
tonal character of the sound (
☞p.209). The MEQ High Gain
and the MEQ Low Gain can be controlled by assigning a
modualtion source to the “Low Gain Mod-Src.” and “High
Gain Mod-src.” functions on this page.
■ 7.2–4a: UTILITY
☞ “Write Combination” (1.1–1c)
7.2–2a
7.2–4a
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