5-18
Lexicon
300L Owner's Manual
Cascade Setup Presets
Setup # Setup Name SoftSlider Mach A Effect -> Mach B Effect
P126 CC: REV ->DLY DELAY SPACE MA:B13P1 CHAMBER -> MB:B11P3 STEREO SLAPS
P127 CC: DLY ->REV SLAP & SIZE MA:B11P2 SLAP ECHO -> MBB13P9 JOE’S B&G
P128 CC: REV->PCH DECAY MACH A MA:B13P7 “U”CHAMBER -> MB:B15P2 GUIT SHIFT
P129 CC: PCH->REV BMIX MA:B15P7 SKY DOWN -> MB:B13P3 DRUM CHAMBER
P130 CC: REV->COMP THRESHOLD MA:B13P4 GUITAR ROOM -> MB:B16P4 COMP 4 VERB
P131 CC: COMP->REV NONE MA:B16P2 DRUM COMP 3:1 -> MB:B13P8 BASEMENT
P132 CC: DLY->PCH LFO RATE MA:B12P3 CHORUS -> MB:B15P1 SHIFT IT!
P133 CC: PCH->DLY DELAY SPACE MA:B15P6 VOCAL SHIFT -> MB:B11P5 PINGOPONGO
P134 CC: DLY->COMP DELAY SPACE MA:B11P6 3 VOICE DLY -> MB:B16P1 EZ COMP 2:1
P135 CC: SLAPS SPACE MA:B16P9 SPATIAL EQ -> MB:B11P3 STEREO SLAPS
P136 CC: PCH->COMP LFO RATE MA:B15P2 GUIT SHIFT -> MB:B16P5 SMAKO!
P137 CC: SURRVERB SPATIAL EQ MA:B14P7 RECITAL HALL -> MB:B16P9 SPATIAL EQ
P138 CC: V3COMP NONE MA:B16P6 SMALL ST ADJ -> MB:B16P1 EZ COMP 2:1
P139 CC: EQ/DITHER NONE MA:B16P6 SMALL ST ADJ -> MB:B16P0 PONS
P140 CC: FILT DLYS DLY/BANDPASS MA:B11P4 SPACE EKOZ -> MB:B16P8 FILTER PASS
P141 CC: JETVERB LFO RATE MA:B14P3 GREAT HALL -> MB:B12P5 NEGATIVEFLNG
P142 CC: BIGBRICKS DIFFUSION MA:B14P4 BIG BRICKS -> MB:B16P2 DRUM COMP 3:1
P143 CC: REV->EKOZ RVB LEVEL MA:B14P1 BIG HALL -> MB:B12P4 CHORUS+EKOZ
P144 CC: REV->KORUS RVB LEVEL MA:B13P5 BIG & SHORT -> MB:B12P3 CHORUS
P145 CC: OVER!TOP LFO RATE MA:B12P1 OVERTHETOP1 -> MB:B12P2 OVERTHETOP2
P146 CC: GUITAR XP LFO RATE MA:B12P9 LFO:PAN&FAZE -> MB:B12P8 LFO:FAZEDLYS
P147 CC: EKO->FAZE AMIX MA:B15P5 EKO SHIFT -> MB:B12P7 ENV:PHAZER
P148 CC: VERB->DOWN B MIX MA:B14P7 RECITAL HALL -> MB:B15P8 ECHO DOWN
P149 CC: THE SKY DELAYS MA:B15P7 SKY DOWN -> MB:B12P0 SKY DELAYS
P150 CC: SPINOLA LFO RATE MA:B12P3 CHORUS -> MB:B16P7 PANOLA
P126 CC:REV ->DLY SoftSlider DELAY SPACE 50
MA:B13P1 CHAMBER MB:B11P3 STEREO SLAPS
This preset passes a reverb effect into a stereo slap delay effect with a delay SoftSlider patch. As
the SoftSlider is advanced, the reverb will be additionally delayed through the slap space. AMIX is
set to 70% such that some of the Dry input (30%) is passed into the Slap effect as well.
MA: B13P1 CHAMBER
A great general purpose reverb tail. Size is set to 28.1M (the largest value is 64M), so the density
is rather tight. As you adjust Size, Rt will also change. If you want to unlink this natural phoenomena,
set LINK to unlink(on Page Two).
MB: B11P3 STEREO SLAPS
Stereo left and right slap delays with the SoftSlider patched to left and right Delays 1 and 2 as well
and the Left and Right Post Delay outputs.
P127 CC: DLY ->REV SoftSlider SLAP & SIZE 50
MA:B11P2 SLAP ECHO MB:B13P9 JOE’S B&G
Slap Echo feeds the Bar & Grill. Advance the SoftSlider parameter, and the Machine A “slap” effect
gets longer, and the reverb Size in Machine B gets bigger. AMIX is set to 50% such that half the Dry
signal bypasses the slap effect feeding directly into the reverb. Changing AMIX will add more or less
impact to the reverb.
MA: B11P2 SLAP ECHO
Baseline effect with the SoftSlider patched to the last two delay lines in the signal path. Advancing
the SoftSlider will cause the two post-delays to move in sync out to almost 3000ms.
MB: B13P9 JOE’S B&G
Live performances in Joe’s 14.6M Bar. Advance the SoftSlider and the room size grows into a Bar
and Grill.
P128 CC: REV->PCH SoftSlider DELAY MACH A 50
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