Using SmartScope Duo
15
Vectorscope Display
The Vectorscope Display uses a vector view to show the colors in a video signal. Depending on the standard
of color bar test signals used in your facility, select either 100% or 75% from the Set drop down menu.
Some people think you can use a vectorscope to check for illegal levels, however this is not correct. The
Parade RGB display should be used for checking for illegal colors. The reason you cannot use a vectorscope
to check for illegal levels is that both chroma and luminance values are required. For example, colors near
the white or black points in video cannot be as saturated as the much stronger colors, which can be used in
the mid-grays. Because Vectorscope Display only shows colors, and not luminance values, it cannot be used
solely to check for illegal colors.
Vectorscope Display is the best tool for checking color levels from older, analog videotape where you need
to adjust chroma levels. Just play back the color bar segment of the videotape, and then adjust the chroma
and hue settings to set the colors of the video within the square boxes in the graticule.
Vectorscope Display is also perfect for color grading, as you can easily see if your video is correctly white
balanced or if there is a color tint. If your video has a color tint, the Vectorscope display will drift off center,
and you might see two center dots. Normally the blanking in the video signal will create a dot in the center
of the vectorscope, and this is because the blanking in the video is black video without any color. Blanking
provides a useful reference point to help recognize areas of black video without any color information.
If your video has a color tint, you should see the blacks move off color and off center. The degree of shift
represents the amount of color tint in your video and you can see the shift in both the white and black
details of your video. This makes Vectorscope Display valuable for removing color tint and regaining correct
white balance.
Vectorscope Display lets you push colors in your video to the limits, without accidentally adding unwanted
color tints to blacks and whites. While color balance can be monitored on both the RGB Parade display and
Vectorscope Display, color balance issues will often be easier to see in the Vectorscope Display.
When color correcting footage of skin tone, particularly faces, you will want to keep your warm color
saturation along a line at approximately 10 o'clock on the vectorscope. This is known as the "fleshtone line"
and is based on the color of blood beneath the skin's surface. The fleshtone line is therefore applicable to
all skin pigmentations and is the best way to ensure the skin tones of your talent look natural.
Vectorscope Display showing the "fleshtone line".
Set your Vectorscope to 100% or 75% color bar test signals.
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