6
Modeling Settings (Mdl: )
Press the [MODELING/ALT TUNE] button to edit.
* The parameters shown depend on the modeling type you’ve selected.
MEMO
For details on +/, marks, refer to “Basic Procedure for Editing the Settings” (p. 5).
Parameter Explanation
On/O Turns the Modeling on/o (mute).
Type
Type of Modeling
E. GTR Electric guitar
ACOUSTIC Acoustic
E. BASS Bass
SYNTH Guitar synthesizer
POLY FX Poly FX
Electric Guitar (EG: )
Parameter Explanation
Type
Type of Electric Guitar
CLA ST
This models a Fender Stratocaster, a guitar with three
traditional single-coil pickups.
MOD ST
This models a guitar with three EMG active single-coil
pickups.
TE
This models a Fender Telecaster, a guitar with two single-coil
pickups often used in blues and country music.
LP
This models a Gibson Les Paul Standard, a guitar with two
humbucking pickups often used in rock.
P90
This models a Gibson Les Paul Junior, a guitar with two
single-coil pickups aectionately referred to as “dog ear” or
“soap bar” pickups.
335
This models a Gibson ES-335 Dot, a well-known semi-hollow
body guitar with two humbucking pickups.
L4
This models a Gibson L-4 CES, a hollow body guitar suitable
for jazz, equipped with two humbucking pickups and strung
with at-wound strings.
RICK
This models a Rickenbacker 360, a semi-hollow body guitar
with two unique single-coil pickups.
LIPS
This models a Danelectro 56-U3, a guitar with three pickups
with a distinctive silver “lipstick-style” appearance.
WIDE
RANGE
This produces the fat sound typical of a larger number of coil
windings than on a conventional single-coil pickup.
BRIGHT
HUM
A conventional humbucking pickup places two coils side
by side, causing the high frequencies to be cancelled;
however, this model produces a tone that preserves these
high frequencies while retaining the characteristics of a
humbucking pickup.
FRETLESS This models a fretless guitar.
PU Select *1
Selects the pickup position.
REAR Rear pickup
R+C *1 Rear and center pickups
CENTER *1 Center pickup
C+F *1 Center and front pickups
FRONT Front pickup
R+F *2 Rear and front pickups
ALL *3 All pickups
*1 CLA-ST, MOD-ST, LIPS only
*2 TE, LP, P-90, RICK, 335, L4, BRIGHT HUM, WIDE RANGE only
*3 LIPS only
Tone Type *2 Selects the fretless tone type.
Sens *2 This controls the input sensitivity of the FRETLESS.
Depth *2 This controls the rate of the harmonics.
Attack *2 Adjusts the attack of the picking sound.
Resonance *2 Adds a characteristically resonant quality to the sound.
Direct Level *2 Adjusts the volume of the direct sound.
Volume Sets the volume. With a setting of 0, there will be no sound.
Tone
Adjusts the tone. The standard value is 100; lowering the value creates a
softer tone.
*1 Other than FRETLESS
*2 FRETLESS only
Acoustic (AC: )
Parameter Explanation
Type
Type of Acoustic
MA28
The sound of a Martin D-28. Older model known for its
exquisitely balanced sound.
TRP-0
The sound of a Martin 000-28. This model features a full low-
end resonance and crisp, distinct contour.
GB45
The sound of a Gibson J-45. This vintage model features a
unique, seasoned tone with good response.
GB SML
The sound of a Gibson B-25. Featuring a compact body, this
vintage model is often used in blues.
GLD40
The sound of a Guild D-40. This model features warm
resonance from the body along with a delicate string
resonance.
NYLON This models a nylon-string guitar.
RESO This models a Dobro-type resonator guitar.
BANJO This models a conventional ve-string banjo.
SITAR
This models a Coral electric sitar. The sitar’s distinctive buzz
and tonal change are modeled.
Body *1
Adjusts the body resonation. Raising the value produces more of a sense
of the guitar body in the sound. Lower the value in conditions where
feedback is prone to occur.
Attack *2
Species the strength of the attack when you pluck the string strongly. As
this setting is increased, the attack will be sharper, and the sound will be
crisper.
PU Select *3
Selects the pickup position.
FRONT Front pickup
R+F Rear and front pickups
REAR Rear pickup
PIEZO Piezo pickup
Sens *3 Adjusts the input sensitivity.
Color *3 Adjusts the overall tone quality of the sitar.
Decay *3 Adjusts the time it takes following the attack for the tone to change.
BUZZ *3
Adjusts the amount of characteristic buzz produced by the buzz bridge
when the strings make contact with it.
Attack Level *3 Adjusts the volume level of the attack
Resonance *4
Adjusts the body resonation. The resonation increases as the value is
raised.
Sustain *5
You can specify how the resulting volume will be aected by changes
(loud/soft dynamics) in the guitar string vibrations that are input.
Adjusts the range (time) over which low-level signals are boosted. Larger
values will result in longer sustain.
Tone
Adjusts the tone of the body. The standard value is 0; raising the value
boosts the high range.
Volume Sets the volume. With a setting of 0, there will be no sound.
*1 Other than RESO and BANJO
*2 NYLON and BANJO only
*3 SITAR only
*4 RESO and BANJO only
*5 RESO only
Bass (EB: )
Parameter Explanation
Type
Type of Bass
JB This models a Fender Jazz Bass.
PB This models a Fender Precision Bass.
FRETLESS This models a fretless bass.
Rear Volume *1 Volume of the rear pickup
Front Volume *1 Volume of the front pickup
Tone Type *2 Selects the fretless tone type.
Sens *2 This controls the input sensitivity of the FRETLESS.
Depth *2 This controls the rate of the harmonics.
Attack *2 Adjusts the attack of the picking sound.
Resonance *2 Adds a characteristically resonant quality to the sound.
Direct Level *2 Adjusts the volume of the direct sound.
Volume Sets the volume. With a setting of 0, there will be no sound.
Tone Adjusts the tone.
*1 JB only
*2 FRETLESS only
Modeling/Poly FX/Alternate Tuning Settings
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