109
Overview
Appendix
USB Memory
Song Player
Digital Recorder
Synthesizer
Selecting Sounds Perform. Functions Editing/Eects Other Settings
Rec/Play/Edit Eects Rhythm Pattern
Insert Eects Parameters
* The trademarks listed in this document are trademarks of their
respective owners, which are separate companies from Roland.
Those companies are not aliated with Roland and have not
licensed or authorized Roland’s JUNO-Gi.
* Their marks are used solely to identify the equipment whose sound
is simulated.
Algorithm
The algorithms (the available eects and their connection order) that
can be used as the insert eects are shown below. The algorithms that
can be selected will dier for each bank.
MEMO
The line or lines connecting the algorithm indicate whether the
eect features mono output (single line) or stereo output (two
lines).
Mono/Stereo Ex.
Output: Mono –[AMP]–[EQ]–
Output: Stereo =[LIM]=[OUT]=
GUITAR Bank
This is a multi-eect designed for electric guitar. This provides an amp
sound using a preamp and speaker simulator.
-[AMP]-[EQ]-[NS]-[FX]-[DLY]=[CHO]=[REV]=
* The order may dier depending on the patch.
Algorithm Explanation Page
AMP
(Amp Modeling)
Models sounds passed through guitar and bass
amps.
COSM modeling simulates not just preamp and
speaker characteristics, but even miking as well.
You can select from a large number of dierent
amp types.
p. 110
EQUALIZER
Adjusts the volume levels for dierent frequencies
in the low-frequency to high-frequency ranges.
Mid and high midrange settings feature
parametric equalization.
p. 111
NOISE
SUPPRESSOR
This eect suppresses noise and hum from the
guitar’s pickups.
Since the noise reduction follows the guitar
sound’s envelope (the change in volume over
time), it has practically no inuence on the guitar
sound itself, thus producing a highly natural
eect.
p. 111
FX
(Eects)
Provides a wide variety of eects to choose from,
including compressor, distortion, wah, and many
others.
p. 112
DELAY
A delayed sound is added to the normal guitar
sound, producing a thicker tone with a distinctive
ambience.
p. 115
CHORUS
This eect adds a subtle frequency modulation,
producing a beautiful sound with greater breadth
and body.
p. 115
REVERB
This eect adds reverberation and other spatial
eects.
Set the REVERB TYPE to choose from a variety of
dierent types of reverb sound.
p. 115
MIC Bank
This is a multi-eect designed for vocals. It provides the basic eects
needed for vocals.
-[CMP]-[ENH]-[EQ]-[NS]-[DLY]=
Algorithm Explanation Page
COMPRESSOR
This compresses the overall output signal when
the input volume level exceeds a set value.
p. 116
ENHANCER
By adding sounds which are out-of-phase with the
direct sound, this eect enhances the denition of
the sound, and pushes it to the forefront.
p. 116
EQUALIZER
Adjusts the volume levels for dierent frequencies
in the low-frequency to high-frequency ranges.
Low and high midrange settings feature
parametric equalization.
p. 111
NOISE
SUPPRESSOR
This eect reduces the noise and hum. p. 111
DELAY
A delayed sound is added to the normal guitar
sound, producing a thicker tone with a distinctive
ambience.
p. 115
LINE Bank
These eects are for stereo line input. The LINE/EXT bank uses the
same eects as the mastering tool kit.
=[IN]=[CMP]=[MIX]=[LIM]=[OUT]=
Algorithm Explanation Page
INPUT
This divides the original sound into three
frequency ranges: low, mid, and high.
p. 120
3BANDCOMP
(Compressor)
This compresses the overall output signal when
the input volume level exceeds a set value.
p. 120
MIXER Adjusts the volume of each frequency band. p. 120
LIMITER
This suppresses high-level signals to prevent
distortion.
p. 120
OUTPUT This makes settings that aect the overall output. p. 120
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