5-7:
Dupe
of
1-1
5-8:
Dupe
of
1-6
These
duplicate
programs
have been
included
for several reasons:
1)
to
leave
open pivot
points
to
allow
you
to
move
the
factory
programs
to
different
locations for your
particular needs;
2)
to give
you
space to
store
your
first
programs
and
live
with them
for
a
while before
storing
them
in
another
location
(in
place
of one
of
the
factory
programs:
3)
to
allow you to
practice
working with
the
factory
programs
in
order
to
fine tune
them to
suit your
tastes:
and
4)
to
let
vou
trace the development
of
certain
of
the
factory
programs
(BRASS
and
HARPSICHORD) so
that you can begin
to
work
out
your own
methods
for
creating
programmed
sounds.
Let us
look
at
these various
things
one
at a
time.
It
is
easy
to
change the
positions
of the factory programs using either
5-7
or
5-8
as
a pivot
point.
For
instance,
let us
say that
we want to
move SYNC I from
1-7
to
3-1
(so
it will
be
next
to SYNC
II),
PIPE
ORGAN
FLUTES from
3-1
to
2-8
(so
it will
be
next
to
REED ORGAN),
and BRASS IN
FIFTHS
from 2-8
to
1-7
(so
it
will be
in the same
bank
as
BRASS). Use the following procedure:
1)
Put
the back panel RECORD
ENABLE/DISABLE switch in the
ENABLE
position.
2)
Switch PRESET mode
on.
3)
Select
3-1
and press the RECORD
switch.
4)
Select
5-7.
You have now recorded PIPE ORGAN FLUTES in
location
5-7.
5)
Select
1-7
and press the RECORD switch.
6)
Select
3-1.
You have now recorded SYNC I in location
3-1.
7)
Select
2-8
and
press the RECORD swtich.
8)
Select
1-7.
You
have now recorded BRASS IN FIFTHS
in location
1-Z
9)
Select
5-7
and
press the
RECORD
switch.
10)
Select
2-8.
You have now recorded PIPE ORGAN
FLUTES in
location 2-8,
and have
completed
this round of location juggling.
If the above procedure is followed carefully,
you
will
never erase
a
program
accidentally,
because
each
program
that is about to be erased
from
one
location
also exists in
another
location.
Of
course,
you
should
be
careful to hit the correct BANK and PROGRAM
buttons when
you are in
RECORD
mode
—
if
you
hit the
wrong
button
you
may erase
a
program that
is not duplicated.
It is true that if
you erase a factory
program
you can duplicate
it
using
the
patch
diagrams
provided
in
this manual; however, if
you erase
one of
your
own
programs,
you
will
have
to start
again
from
scratch
unless
you
have kept
a
record
of your
front
panel settings for that
program.
For
this reason,
we
have
provided
you
with
a
number of blank front
panel diagrams
at
the
end of
this
manual,
and we
recommend
that you keep
a
record of your favorite programs.
Before
replacing
5-7
or
5-8.
it might
be good to use the duplicate
programs
to familiarize
yourself with
techniques
of
fine-tuning
a
program. Edit
5-7
and
RECORD those
adjustments,
then
switch
back and
forth
between
1-1
(the original patch) and
5-7
(the
patch
as you have edited it).
This will
allow
you to
make
some very direct
comparisons between various
settings, and will
help
you to
understand
how
to
go about
adjusting various
aspects of
a
patch in order
to
get
the
sound
you
want.
Use
a similar
approach in
working with the
5-8
dupe of the
HARPSICHORD
program. Read
the notes
accompanying
the
HARPSICHORD patch diagram
(1-6)^
particularly
those under
the heading "GENESIS
OF
THIS
PATCH."
Experiment with
some of
the
critical
adjustments
on the FILTER;
change the
PULSE-WIDTH
settings
of the two oscillators.
RECORD some of
your alterations on the
patch
in
location
5-8
and
compare them with the
original patch
at location
1-6
and
use
5-8
for
a
new
purpose.
By
the way,
you need not limit yourself
to BRASS and HARPSICHORD
sounds
when
experimenting in
this
way:
any of the factory
presets can
be
duplicated in
location
5-7
or
5-8
to
allow for this
kind of
experimental
comparison.
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