Behringer DEEPMIND 12 User Manual

96 DeepMind 12 User Manual
VintageRev
Vintage Room simulates the reverberation that occurs when sound is recorded in
a small room. When you want to add a bit of warmth and just a touch of reverb,
the Vintage Room breathes life into close-mic'd guitar and drum tracks. (Inspired
by the Quantec QRS)
Set the early reection times for the left and right channel with ER DELAY L
and ER DELAY R. ER LEVEL sets the loudness of the early reection level. REV
DELAY controls the amount of time before the reverberation is heard following
the source signal. HI/LOW MULTIPLY adjusts the decay time of the high and
bass frequencies. ROOM SIZE adjusts the size of the room eect being created
incrementally from small to large. HIGH CUT sets the frequency above which
the source signal does not pass through the reverb. DENSITY manipulates the
reection density in the simulated room. (This slightly changes the reverb decay
time). LOW CUT sets the frequency below which the source signal does not pass
through the reverb.
Plate Reverb
A plate reverb was originally created by sending a signal through a transducer
to create vibrations on a plate of sheet metal which were then picked up as an
audio signal. Our algorithm simulates that sound with high initial diusion and a
bright colored sound. The Plate Reverb will give your tracks the sound heard on
countless hit records since the late 1950s. (Inspired by the Lexicon PCM-70.)
PRE DELAY controls the amount of time before the reverberation is heard
following the source signal. DECAY controls the amount of time it takes for the
reverb to dissipate. SIZE adjusts the size of the virtual room created by the reverb
eect. The DAMP knob adjusts the decay of high frequencies within the reverb
tail. DIFF(USION) controls the initial reection density. The LO CUT knob sets the
frequency beneath which the source signal will not pass through the reverb.
The HI CUT knob sets the frequency above which the source signal will not pass
through the reverb. The BASS MULT(IPLIER) knob adjusts the decay time of the
bass frequencies. XOVER controls the crossover point for bass. MOD DEPTH and
SPEED control the intensity and speed of the reverb tail modulation.
Gated Reverb
This eect was originally achieved by combining a reverb with a noise gate.
Ourgated reverb creates the same impression by a special shaping of the
reverbtail.
Gated Reverb is especially eective for creating a 1980s-style snare sound or to
enlarge the presence of a kick drum. (Inspired by the Lexicon 300/480L.)
PRE DELAY controls the amount of time before the reverberation is heard
following the source signal. DECAY controls the amount of time it takes for the
reverb to dissipate. ATTACK controls how fast the reection density builds up.
DENSITY shapes the reverb decay tail. The higher the density, the greater the
number of sound reections. SPREAD controls how the reection is distributed
through the envelope of the reverb. The LO CUT knob sets the frequency beneath
which the source signal will not pass through the reverb. The HiSvFr/ HiSvGn
knobs adjust a Hi-Shelving lter at the input of the reverb eect. DIFF(USION)
controls the initial reection density.
Reverse Reverb
Reverse Reverb takes the trail of a reverb, turns it around, and places it in front
of the sound source. Use the swelling crescendo of the Reverse Reverb to add an
ethereal quality to vocal and snare tracks. (Inspired by the Lexicon 300/480L.)
Adjusting the PRE DELAY knob adds up to 200 milliseconds of time before the
reverb follows the source signal. The DECAY knob adjusts the time it takes for
the reverb to completely dissipate. RISE controls how quickly the eect builds
up. DIFF(USION) controls the initial reection density. SPREAD controls how the
reection is distributed through the envelope of the reverb. The LO CUT knob
sets a low frequency beneath which the source signal will not pass through the
reverb. The HiSvFr/HiSvGn knobs adjust a Hi-Shelving lter at the input of the
reverb eect.
Chorus + Chamber
Taking up only one FX slot, the Chorus + Chamber eect combines the shimmer
and doubling characteristics of a studio-grade Chorus with the sweet sound of a
traditional Chamber reverb. (Reverb is inspired by the Lexicon PCM 70.)
The BALANCE knob adjusts the balance between chorus and reverb.
Lowfrequencies can be excluded with the LO CUT knob, and the MIX knob adjusts
how much of the eect is added to the signal. SPEED, DELAY and DEPTH adjust
the rate, delay, and modulation depth of the chorus. The LFO PHASE between left
and right channel can be oset by up to 180 degrees, and WAVE adjusts the LFO
waveform from a sine wave to triangular wave. The PREDELAY knob determines
the hesitation before the reverb aects the signal. The DECAY knob adjusts how
quickly the reverb fades. The SIZE controls how large or small the simulated
space is (room, cathedral, etc.). The DAMPING knob determines the decay of high
frequencies within the reverb tail.

Behringer DEEPMIND 12 Specifications

General

Product type	Analog synthesizer
Product color	Black
Keyboard number of keys	49