Behringer WAVE - Page 23

23 WAVE User Manual
KF – the frequency of the lter is tracked by the keyboard. There are eight settings:
0 – No keyboard tracking
1-2 – keyboard tracking is less than 100%
3 – keyboard tracking is approximately at 100% (double VCF frequency
for every octave)
4-6 – keyboard tracking is between 100% and 200%
7 – keyboard tracking is approximately at 200%
KL – the loudness of the voltage controlled amplier is tracked by the keyboard.
There are eight settings:
0-3 – higher keys will sound louder than lower keys (subject to the
settings on envelope generator 2).
4 – all keys have the same loudness.
5-7 – lower keys will sound louder than higher keys (subject to the
settings on envelope generator 2).
MW – controls the wavetable position modulation by the modulation wheel and LFO.
0 – o.
1 – waveform LFO sweeping is controlled by Mod Wheel.
2 – waveform is swept directly by Mod Wheel.
3-9 – waveform is swept by the LFO by between 10% and 100%.
MF – controls lter frequency and resonance modulation by the modulation
wheel and LFO.
0 – o.
1 – lter frequency LFO sweeping is controlled by the modulation wheel 
2 – lter frequency can be controlled directly by the modulation wheel
3 – lter emphasis can be controlled directly by the modulation wheel
4-9 – lter frequency is modulated by the waveform LFO constantly by
between 10% and 100%.
ML – controls whether the loudness of the VCA can be controlled by the
modulation LFO. 0 is o, 1 is on. For emulation of the original this sets a constant
low amplitude modulation by the LFO. However, when enhanced FIRMWARE in
the USER menu is enabled this controls LFO loudness modulation of the VCA by
the Mod Wheel
Left to right / bottom row:
GROUP – indicates whether the display is showing settings for Group A or Group
B. Switched with Group button
(33)
BD – controls what the pitchbend wheel will aect. There are eight settings:
0 – pitchbend wheel is o.
1 – pitchbend (oscillator and sub-oscillator).
2 – lter frequency cuto.
3 – waveform sweep.
4 – pitchbend (sub-oscillator only).
5 – pitchbend (oscillator and sub-oscillator) plus lter frequency cuto.
6 – pitchbend (oscillator and sub-oscillator) plus waveform sweep.
7 – lter frequency cuto and waveform sweep.
BI – controls the pitchbend wheel range. There are six settings:
0 – two semitones.
1 – major third (four semitones).
2 – fth (seven semitones).
3 – one octave (twelve semitones).
4 – two octaves (24 semitones).
5 – one octave (12 semitones) in semitones steps.
TW- controls aftertouch for waveform sweeping and LFO modulation:
0 – o
1 – aftertouch controls waveform sweeping 
2 – aftertouch controls LFO waveform modulation 
TF- controls aftertouch for lter frequency sweeping and LFO modulation:
0 – o
1 – aftertouch controls lter frequency sweeping 
2 – aftertouch controls LFO lter frequency modulation 
TL- controls aftertouch for loudness and loudness modulation:
0 – o
1 – aftertouch controls loudness 
2 – aftertouch controls LFO loudness modulation
TM – allows aftertouch control of the modulation wheel:
0 – o
1 – on.
VF- sets the sensitivity for velocity control of lter frequency cuto:
0 – o
1 – low sensitivity.
2 – medium sensitivity.
3 – high sensitivity.
VL– sets the sensitivity of velocity control of loudness (VCA level):
0 – o
1 – low sensitivity.
2 – medium sensitivity.
3 – high sensitivity