Behringer WAVE - Analog Menu; Sequencer Menu

25 WAVE User Manual
Analog Menu
The analogue menu displays the stored positions of the analog controls on the
top panel. Altering the position of any of the controls will replace the stored value
with the actual position of the control, but this will not be written to memory
unless the Data Transfer writing procedure is followed. Values can also be
changed using the numeric keypad to move to the desired control and entering a
number between 00 and 63 using the keypad or the data control.
The numbers represent the following settings and controls:
(1) Program Number
(2) LFO Delay
(3) LFO Waveshape
(4) LFO Rate
(5) Envelope Generator 1 Attack/Decay/Sustain/Release
(6) Filter Cuto
(7) Filter Emphasis
(8) Waves Osc
(9) Waves Sub
1 2 3 4 6
10 12 13 14 15
7 8 9
1611
5
(10) Group A or B
(11) Envelope Generator 3 Attack/Decay/Attenuation
(12) Envelope Generator 2 Attack/Decay/Sustain/Release
(13) Modulation Wheel
(14) Modier Envelope 1 to VCF
(15) Modier Envelope 2 to Loudness
(16) Modier Envelope 1 to Waves
Sequencer Menu
The Sequencer Menu is accessed by pressing and holding the Shift button
(34)
and pressing the Settings button
(35)
, or by pressing any of the sequencer
controls
(35)
–
(38)
.
Left to Right / top row:
PR – indicates the current program, which can be changed within the menu
MOD – indicates which mode the sequencer/arpeggiator is in. The rst digit
shows whether the sequencer or arpeggiator is active:
0 – the sequencer is active (second digit cannot be altered). See Using The
Sequencer section below.
1 – arpeggiator 1 is active.
2 – arpeggiator 2 is active.
The second digit show which arpeggiator mode is selected when the arpeggiator
is active:
1 – up.
2 – down.
3 – up and down.
4 – random.
5 – moving (the root of the arpeggiation moves through the notes held).
Using the simple example of a C major chord (C / E / G) the various arpeggiator
modes would result in:
11: C, E, G, C, E, G etc.
12: G, E, C, G, E, C etc.
13: C, E, G, G, E, C etc.
14: E, G, E, C, G, C or similar.
15: C, E, G, E, C, G, G, C, E etc.
21 – 25: as 11 – 15 but with the octave above added.
When the arpeggiator is in use a footswitch connected to the Sustain Pedal
socket on the rear panel
(57)
will hold the arpeggio without the need to key
hands on the keyboard. A latching switch allows the foot to be removed as well.
Note that when the arpeggio is held in this way the constituent notes cannot be
changed or added to. When used with the arpeggiator the pedal will not aect
the sustain function of ENV 2 as it usually would.
CLK – indicates the clock source and rate where appropriate. The rst digit shows
the source:
0 – internal.
1 – DIN MIDI.
2 – USB MIDI.
3 – Analog trigger (via the rear panel Sync In socket).
The second digit shows the clock rate for the internal clock and external
analog trigger. The rate is xed at 24 pulse per quarter note for the MIDI clocks,
and when one of them is selected the second digit cannot be altered:
0 – 1 pulse per step
1 – 2 ppqn
2 – 24 ppqn
3 – 48 ppqn
So, for example, a setting of 02 would utilize the internal clock at a rate of
24 ppqn; whereas 30 would use an external analog clock from the Sync In socket
(52)
on the rear panel expecting 1 pps.
GAT – indicates the gate duration, which can be adjusted between 1 and 99.
Default is 50.
DIV – indicates the clock division for sequenced or arpeggiated notes:
0 – ¼ note
1 – ⁄ note
2 – ⁄ note
3 – ⁄ note
4 – ¼ note triplet
5 – ⁄ note triplet
6 – ⁄ note triplet