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Lexicon Studio
Larger than the Room reverb, the Studio Reverb is the Lexicon studio standard reverb algorithm.
Spring based on a Fender® Twin Reverb™
The tone and reaction of the spring reverb is captured! Surf’s up, the best setting is at maximum
- Cowabunga.
Distortions
Distortion and overdrive pedals were designed to give your guitar tone gain before it reaches
your amp. Many heavily distorted pedals such as the DigiTech Grunge™ were designed to pro-
vide most or all of the gain and run through a cleaner amp. Overdrives are great for boosting the
gain of your guitar sound and driving an already distorted amp giving your total tone, more gain
and a heavier feel. Overdrives on their own and ran into clean amps provide a bluesy tone.
Arbiter® Fuzz Face™
The Dallas Arbiter Fuzz Face surfaced in 1966 and used germanium transistors to get it’s unique
fuzzy sound and inspired many other fuzz pedals to follow. The Fuzz Face produces a thick wall
of edgy distortion and a very full low end. Perfect for creating ‘60s or modern stonerrock tones.
Boss® DS-1™ Distortion
A truly classic distortion. A nice, common distortion that ranges in tone from rock to mild metal.
Use it to drive a distorted amp!
Boss MT-2 Metal Zone®
The Metal Zone will produce nearly any metal tone needed from tight, percussive Bay area
thrash to deep detuned grind core.
Boss OD-1 Overdrive
The OD-1 is perfect for just adding a little gain to your tone no matter what type of amp you
use. To produce a bluesy tone, use it with a clean combo. To drive your stack, crank the gain and
level.
Boss SD-1 Overdrive
With a little more gain than the OD-1, the SD-1 will drive any amp into another realm. If you’re
just looking for a good classic rock tone, this is it.
Demeter Fuzzulator
Enhancing the proper frequencies with a pre-emphasis tone circuit, the Fuzzulator produces
distortion that is unique and does not get muddy. It just gets better and the Fuzz is turned up.
DigiTech® Amp Driver
The Amp Driver distortion is designed to turn a regular distorted amp into a monster. The Amp
Driver not only distorts the guitar’s signal but also boosts frequencies around 600Hz. By em-
phasizing the frequencies around 600Hz amps can be driven harder and take on more of a metal
tone. A mean sound is not only how determined by how much gain you put in front of your amp,
but how hard you drive the amp and with what frequencies the amp is driven with.
DigiTech Death Metal™
Designed in 1992 to provide death metal musicians with a wall of sound, the Death Metal™
pedal does just that. Whether you play early ‘90s grindcore or modern death metal, the Death
Metal’s tone controls that are placed at the correct frequencies give you a multitude of sonic
options.
DigiTech Grunge®
In late 1991 as Grunge hit the radio the pedal was designed as the DOD FX69 Grunge. The
pedal was designed by a young engineer who played “punk” and was released as an experiment
to see what this “new type” of music was all about. Now a decade later, the Grunge is still a top-
seller. The Grunge produces tones from early famous Seattle sounds to borderline metal. Don’t
forget your flannel….
DigiTech Redline Modified Overdrive
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