The following illustration shows how Tuning Coarse and Tuning Fine interlock giving full access to the
full 2-octave spectrum in increments of one cent. Tuning up by 50 cents results in the same pitch as
tuning down by 50 cents from the next higher semi tone:
With the illustration in mind, the best practice for changing the pitch of the sound samples is conse-
quently blocking out the rough pitch region with Tuning Coarse and fine tune it afterwards with the
help of Tuning Fine.
9.3.2.3 ATTACK
Modify the attack of the drum by choosing a low fader position for tight and snappy feel and high
fader positions for a “fluffy” feel with almost washed out attack.
9.3.2.4 RELEASE
Controls the length of sustain
to emulate a muffled instru-
ment. The natural sustain of
the DRY sample (without
effects) fades out quickly in
low fader positions and slowly
in high fader positions. Chang-
ing the fader position will add
a predefined multiplier curve
to the full sample amplitude,
which is then moved inside the
time interval of 15.5 ms – 6s
after the attack by dragging
the fader. The shape of the
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