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Korg Prophecy - Table of Contents

Korg Prophecy
53 pages
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Contents
Important Safety Instructions
The Backup Battery ...........................................................................
i
Memory Card RAM ............................................................................. i
Main features of the Prophecy ........................................................ ii
1. Front and rear panel .................................................................................................. 2
1.1
Front panel .................................................................................. 2
1.2 Rear panel ................................................................................... 4
2.
Basic operation ......................................................................................................... 4
iv
This
chapter
explains
the
basic
operation
you
need
to
know
to use
the
Prophecy,
such
as
selecting
programs,
using
controllers,
and
using the arpeggiator.
Settings
which
will affect the
way
in
which the Prophecy is
operated
are
marked
by
an
asterisk
"*".
Before changing
such
settings,
we
recommend
that
you
read
this
chapter
and
master
the
basics
of
operation.
2.1
Setup ............................................................................................ 4
Basic connections .............................................................................. 4
Connecting pedals, etc. .................................................................... 4
Connections
with
MIDI devices ..................................................... 5
2.2 Turning the power on/off ............................................................ 6
Turning
on
the
power
...................................................................... 6
Turning off the
power
...................................................................... 6
2.3 Adjusting the volume .................................................................. 6
2.4 Listening to the demo playback ................................................ 7
2.5 Playing a program ....................................................................... 8
About the Performance
mode
display .......................................... 8
Selecting a
program
.......................................................................... 8
Using the EC5 to select
programs
................................................
10
Using MIDI to select
programs
................................................... 10
The PORTAMENTO effect ............................................................
10
OCTAVE UP
/DOWN
....................................................................
10
2.6 Performance editor(PE) ............................................................
11
Selecting a performance editor .....................................................
11
About the performance editor display .......................................
11
Saving a
sound
that
was
modified
by
the performance editor .............................................................
11
2.7 Various playing techniques ..................................................... 12
Control from the keyboard ...........................................................
12
Control from WHEEL
1/2/3,
the RIBBON controller,
or
the
pedal
volume .......................................................................
12
Control from a
pedal
switch
or
EC5 ............................................ 14
2.8 A Using the arpeggiator ........................................................... 15
Arpeggiator functions ....................................................................
15
Selecting the arpeggiation
pattern
............................... ...............
15
Basic arpeggiator operation ..........................................................
16
2.9 Other settings (Performance) .................................................. 17
Specifying the
order
in
which notes are
sounded
.................... 17
Making the note sustain ................................................................ 17
Using key velocity to affect
modulation
..................................... 17
Using different scales ..................................................................... 17
Tuning the Prophecy to other instruments ................................ 17
Transposing the pitch .................................................................... 17
Changing the velocity
and
aftertouch curves ............................ 17

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