Korg Prophecy - Other Settings (Performance); Specifying the Order in Which Notes Are Sounded; Making the Note Sustain; Using Key Velocity to Affect Modulation

2.9 Other settings (Performance)
• Specifying the order in which notes are sounded
You can specify whether the lowest/highest/last note will be sounded when two or more notes are
pressed simultaneously. This can be set for each program.
• This is set by the Edit mode Common section, page CMN-3 [Voice Control] Key Priority setting (Parameter
Guide, page 127).
• Making the note sustain
A note can be made to continue sounding even after the keyboard is released. This can be set for each
program.
• This is set by the Edit mode Common section, page CMN-3 [Voice Control] Hold setting (Parameter Guide,
page 127).
• Using key velocity to affect modulation
The force with which you play a new note while the previous note is still held can be used to specify
whether the EG and LFO will continue their cycle, or will be re-started. This setting allows you to
articulate slurs, etc. This can be set for each program.
• This is set by the Edit mode Common section, page CMN-3 [Voice Control] Trigger Mode setting (Parameter
Guide, page 127).
• Using different scales
In addition to the conventional equal tempered scale, the Prophecy provides other scale types such as
Pythagorean, Werckmeister, Arabian, Indonesian,
and also user scales. These can be selected for each
program.
• This is set by the Edit mode Common section, page CMN-4 [Scale] setting (Parameter Guide, page 128).
User Scales allow you to create your own scale.
• This is done in Edit mode Global section, page GLB-3 [User Scale] (Parameter Guide, page 135).
•Tuning the Prophecy to other instruments
When playing the Prophecy together with other instruments or when playing along with a CD or tape,
you can adjust Master Tune in the range of 430 Hz - 450 Hz.
• Tuning is adjusted by the Edit mode Global section, page GLB-1 [Tune & Transpose] Master Tune setting
(Parameter Guide, page 133).
•Transposing the pitch
To shift the pitch in chromatic steps, you can adjust the Transpose setting over a range of -12 (one
octave down) to
+12 (one octave up).
• This is set by the Edit mode Global section, page GLB-1 [Tune & Transpose] Transpose setting (Parameter
Guide, page 133).
• Changing the velocity and aftertouch curves
The way in which velocity and aftertouch take effect can be changed by selecting from 8 types of curve.
• The velocity curve is determined by the Edit mode Global section, page GLB-2 [Curve & Effects] Velocity
Curve parameter. The ajtertouch curve is determined by the After Touch Curve located in the same page
(Parameter Guide, page 134).
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