7-7
The Effects and Parameters
Originally, flanging effects were
created by simultaneously playing
two identical programs on two tape
recorders, then using hand pres-
sure against the flange of the tape
reels to slow down first one ma-
chine, then the other. The result
was a series of changing phase
cancellations and reinforcements,
providing a comb filter and a char-
acteristic swishing, tunneling and
fading sound.
In the MPX 1, the Flanger ef-
fects are two-tap delays. The first
tap is fixed, and the second sweeps
past it. Mixing the two taps to-
gether creates a flanging effect. In
Flanger (M), the moving tap is
swept with an internal LFO.
In the stereo version, Flanger
(S), the delays are modulated by
two sine waves from the same
LFO. The phase relation between
the two waves is set by the Phase
parameter.
Mix 0-100% Dry/Wet ratio
Level* Off, -89 to +6dB Amount of effect in the processed signal
Rate 0-50Hz or Flange rate or period ratio
1:24-24:1 cycles/beat
(Rate Units) Selects frequency or cycles/beat
PW 0-100% Flange pulse width
Depth* 0-100% Flange depth
Phase 0°-270° In Flanger (S) sets the phase difference between the right
and left flangers
Res -100 to +100 Resonance
Blend 0-100% Amount of fixed tap mixed with moving tap
Flanger (M)
Flanger (S)
Mix 0-100% Dry/Wet ratio
Level Off, -89 to +6dB Amount of effect in the processed signal
Rate 0-50Hz or Phaser rate or period ratio
1:24-24:1 cycles/beat
(Rate Units) Selects frequency or cycles/beat
PW 0-100% Phaser pulse width
Depth* 0-100% Phaser depth
Res -100 to +100% Amount of feedback from output of filters to inputs
The Phaser effect is a simulated
Mutron phaser.
Flanger (M) and Flanger (S)
Phaser
* = Interpolated; ( ) = Option of preceding parameter
FazerEkoRvb Phased Place
480PrimeFlng FlangeSwp AB
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