▪
[5] HP: Cutoff (as number of the partials) of the highpass, that controls the amount of
Ratio bending for higher partials.
▪
[6] SLOPE: Slope (order) of the high-pass filter for the ratio offsets of the partials. Higher
orders create a steeper filter curve.
▪
[7] TRACK: Key tracking of the Decay time. Allows shorter decays for higher notes.0 = no
key tracking1 = decay time reduced by factor 2 per octave, Neutral at C3 = 60.
▪
[8] RELEASE: Adjusts the Release time relative to the Decay Time. At the right end of the
scale the Release time is equal to the Decay time (no damping). Turning the parameter
to the left increases the damping and subtracts up to 80 from the value of the Decay
time. The Value shows the resulting Release time in a logarithmic scale:
20..40..60..80 = 10 ms..100ms..1 s..10 s.
▪
[9] CUTOFF: Cutoff (as number of partials) of the lowpass that controls the amplitudes of
higher partials. Please note that the lowpass works on the partial index and not on the
actual frequency of the partial.
▪
[10] VEL: Amount of velocity applied to CUTOFF. The upper limit of the velocity range is
given by the value of CUTOFF, the lower limit depends on the VEL amount.
▪
[11] SLOPE: Slope (order) of the low-pass filter for the amplitudes of the partials. Higher
orders create a steeper filter curve.
▪
[12] FUND: Controls the amplitude [dB] of all partials except the fundamental (ra
tio = 1).
▪
[13] A: Number of partials in the A segments of the comb filter pattern.
▪
[14] B: Number of partials in the B segments of the comb filter pattern.
▪
[15] SHIFT: Shifts the A-B comb pattern by a number of partials. At zero the pattern
starts with the left end of an A segment. When it is shifted upwards further B and A
segments are filled in.
▪
[16] A/B BAL: Balance between the amplitudes of the partials in the A segments and the
partials in the B segments. It does not influence the amplitudes in the Ring Modulator.
▪
[17] RM: Crossfade between the signal from the A/B mixer (A/B BAL) and the result of a
Ring Modulation between the A and the B partials
▪
[18] 2ND H: Amount of the second and other even harmonics in the Saturator signal and
by this it influences the (internal) feedback behavior.
▪ [19] A/B Invert Buttons: Invert the partials of the A/B segments. In the display they
turn red.
Overview of REAKTOR PRISM Ensemble
MODAL Bank Section
REAKTOR PRISM - Manual - 37
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