▪
[2] TILT: Controls two inverted shelving EQs before and after the distortion stage. To the
left: more saturation for high frequencies compensated by a high shelving cut. To the
right: more saturation for low frequencies compensated by a low shelving cut.
▪
[3] MIX: Crossfades between the dry signal and the saturated signal.
▪
[4] CAB LEVEL: Output level (dB) of the saturation effect before it is mixed with the dry
signal.
▪
[5] LO CUT: Cutoff frequency (Hz) of the highpass filter at the input.
▪
[6] HI CUT: Cutoff frequency (Hz) of the lowpass filter for the distorted/saturated signal.
5.12.2 8-Pole Filter
The 8-Pole Filter effect structure comprises four 4-pole filters: each stereo channel has a
4-pole low pass filter and a 4-pole high pass filter. The cutoff frequencies of the low pass
and high pass filters are offset from a reference cutoff frequency. This offset is controlled
by the GAP parameter. Since the two filters are running in parallel and their output signals
are mixed, the result of a positive GAP value is a band rejection. With a negative GAP value
the pass bands of both filters are overlapping so that all frequencies can pass and the res
onances emphasize the cutoff frequencies. The difference between the reference cutoff
frequencies of the two channels is controlled by the LR OFFSET parameter. The CENTER pa
rameter is used to set the mean value of the cutoff frequencies of the two channels.
8-Pole Filter Parameters
Fig. 5.13 8-Pole Filter from the Effects section
Overview of REAKTOR PRISM Ensemble
Effects Section
REAKTOR PRISM - Manual - 41
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