Roland RD-800 - Editing a Live Set; Live Set Edit Menu and Layer Editing; Tone Editing with the Designer

21
Modulation FX Parameters
35: MULTI TAP DELAY
This eect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.
L in
R in
L out
R out
Multi Tap Delay
Balance W
Balance D
Balance W
Balance D
Delay 1
Delay 3
Delay 4
Delay 2
Feed
back
2-Band
EQ
2-Band
EQ
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
DLY 1 FBACK,
BALANCE
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Rate Knob
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Delay 1–4
(sync sw)
OFF, ON
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Delay 1–4 Time
(msec)/
Delay 1–4 Time
(note)
1–2600 [msec]
Adjusts the time until Delays 1–4 are
heard.
note (p. 31)
Delay 1
Feedback #
-98–+98 [%]
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative “-” settings invert the phase.
HF Damp
200–8000 [Hz],
BYPASS
Adjusts the frequency above which
sound fed back to the eect is ltered
out (BYPASS: no cut).
Delay 1–4 Pan L64–63R Stereo location of Delays 1–4
Delay 1–4 Level 0–127 Output level of Delays 1–4
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the eect sound (W)
Level 0–127 Output Level
36: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
Feedback
L in
R in
Rev. Delay
L out
R out
2-Band
EQ
2-Band
EQ
Rev
Delay
D2
D1
D3
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
REV DLY
FEEDBACK,
DLY 3 FEEDBACK,
BALANCE
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Rate Knob
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Threshold 0–127
Volume at which the reverse delay will
begin to be applied
Rev Delay Tme
(sync sw)
OFF, ON
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Rev Delay Tme
(msec)/
Rev Delay Tme
(note)
1–1300 [msec]
Delay time from when sound is input
into the reverse delay until the delay
sound is heard
note (p. 31)
Rev Delay
Feedback #
-98–+98 [%]
Proportion of the delay sound that
is to be returned to the input of the
reverse delay (negative values invert
the phase)
Rev Delay HF
Damp
200–8000 [Hz],
BYPASS
Frequency at which the high-frequen-
cy content of the reverse-delayed
sound will be cut (BYPASS: no cut).
Rev Delay Pan L64–63R Panning of the reverse delay sound
Rev Delay Level 0–127 Volume of the reverse delay sound
Delay 1–3 Time
(sync sw)
OFF, ON
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Delay 1–3 Time
(msec)/
Delay 1–3 Time
(note)
1–1300 [msec]
Delay time from when sound is input
into the tap delay until the delay
sound is heard
note (p. 31)
Delay 3
Feedback #
-98–+98 [%]
Proportion of the delay sound that
is to be returned to the input of the
tap delay (negative values invert the
phase)
Delay HF Damp
200–8000 [Hz],
BYPASS
Frequency at which the low-frequency
content of the tap delay sound will be
cut (BYPASS: no cut).
Delay 1 Pan,
Delay 2 Pan
L64–63R Panning of the tap delay sounds
Delay 1 Level,
Delay 2 Level
0–127 Volume of the tap delay sounds
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
Level 0–127 Output Level