Roland SUPER JX - Page 7

1. Total Mix Output Jack @
Connect this to the amplifier. To make the best use
of the JX-10, use the amplifier and speaker of wide
frequency response and dynamic range such as
keyboard amplifier.
2. Parallel Output Jacks @
These are also for connecting amplifiers. Different
ways of connections will make various sound
effects.
The following shows several different ways for
using the Output Jacks.
PARALLEL OUTPUT
upper Lowen TOTAL
R L rs Lad
® L
—e
aceon
STEREO nt
Connection Jack Output Power
Monaural Output
2 Jacks AD Mixed Output of Upper
and Lower
Bc B: Monaural Output of
Upper
C: Monaural Output of
Lower a
AB Stereo Output of Upper
cD Stereo Output of Lower
AB Stereo Output of Upper
biases cD and Lower
*When the JX-10 is set to the Whole mode,
connecting a stereo amplifier to the UPPER
MONO and LOWER MONDO of the Parallel Out-
put Jacks 26 (output jacks C and D shown in
the above picture) will cause the sounds to be
output irregularly through L or R. It is normal
for this unit to behave like this.
3. Output Level Switch @
Use this switch to select the output level depend-
ing on the amplifier connected to the Total Mix
Output.
* This switch does not work on the signal sent
from the Paraile! Output Jack.
4. Headphones Jack @
Connect stereo headphones to this jack.
5. Hold Pedal Jack @
By connecting the optional pedal switch DP-6 or
DP-2, the Hold effect can be turned on or off by
pressing the pedal. “Hold” is the effect of keeping
the sound even after the key is released.
6. MIDI Connector ®
This is for connecting to other MIDI! device using
the MIDI/SYNC cable (optional).
7. Programmer Connector @
Connect this to the programmer PG-800 (optional)
using the supplied 6P DIN cord.
8. Protect Switch @)
Always make sure that this switch is set to the ON
position to protect the data in the JX-10, except
when saving or loading data.
9. Control Assign Jack @
Use this jack when assigning the Control Changes
with the expression pedal or pedal switch.