11
List of Added Tone-FX
55: Modulation Delay
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
fig.MFX-46a
When Feedback Mode is CROSS:
fig.MFX-46b
56: Long Time Ctrl Delay
A delay in which the delay time can be varied smoothly, and
allowing an extended delay to be produced.
fig.MFX-54
57: Telephone
fig.MFX-59
Parameter
Value Description
Delay Left
0–1300 ms, note
Adjusts the time until the delay sound
is heard.
Delay Right
Feedback Mode
NORMAL,
CROSS
Selects the way in which delay sound is
fed back into the effect (See the figures
above.)
Feedback #1 -98– +98%
Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Rate #2
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0-180 deg Spatial spread of the sound
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance #3
DRY100:0WET–
DRY0:100WET
Volume balance between the direct
sound (DRY) and the delay sound
(WET)
Level 0–127 Output level
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
Parameter Value Description
Delay Time #1
0–2600 ms,
note
Adjusts the time until the delay is
heard.
Acceleration 0–15
Adjusts the time over which the Delay
Time changes from the current setting
to a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch
change.
Feedback #2 -98– +98%
Adjusts the amount of the delay that’s
fed back into the effect. Negative (-)
settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance #3
DRY100:0WET–
DRY0:100WET
Volume balance between the direct
sound (DRY) and the delay sound
(WET)
Level 0–127 Output level
Parameter
Value Description
Voice
Quality #1
0–15 Audio quality of the telephone voice
Treble -15– +15 dB Bandwidth of the telephone voice
Balance #2
DRY100:0WET–
DRY0:100WET
Volume balance between the direct
sound (DRY) and the effect sound
(WET)
Level 0–127 Output level
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
L in
R in
L out
R out
Telephone
Telephone
V-Synth_GT_v2_e1.book 11 ページ 2008年12月17日 水曜日 午前9時5分