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Roland V-Synth GT - Page 13

Roland V-Synth GT
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13
List of Added Tone-FX
61: OD/DS -> Stereo Delay
(Overdrive/Distortion
->
Stereo Delay)
This effect connects either Overdrive or Distortion and Delay
in series.
fig.MFX-29
Parameter
Value Description
Drive Mode
OD, DS
Selects whether to use overdrive (OD)
or distortion (DS).
Drive #1 0–127 Degree of distortion
Amp Sim Sw OFF, ON Turns the amp simulator on/off.
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-
STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Distortion Level 0–127
Volume of the overdrive or distortion
sound.
Delay Time 0–1300 ms, note
Adjusts the delay time from the direct
sound until the delay sound is heard.
Mode
MONO, STEREO,
ALTERNATE
Switches stereo, monaural, or
alternate.
MONO: This is a single-input, dual-
output delay. Stereo sound (left and
right) are mixed before being input.
STEREO: This is a dual-input, dual-
output delay. The delay sound output
features the same stereo placement as
that of the input.
ALTERNATE: The left and right delay
sound output alternately. (Alternate
delay)
Delay Time
0–1300 ms
(MONO), 0–650
ms (STEREO,
ALTERNATE),
note
Adjusts the delay time from the direct
sound until the delay sound is heard.
L-R Shift 0–650 ms, note
Of the left and right delay sounds, the
delay time will be increased for only
one side.
If the L-R order is L
R, the R sound will
be later. In the case of R
L, the L
sound will be later.
When the mode is set to MONO or
ALTERNATE, this setting will be
ignored.
L-R Order L
R, R
L
In STEREO or ALTERNATE mode, this
setting determines which of the left or
right sides has the delay sound before
the other
L
R: The left side is expressed first
R
L: The right side is expressed first
In MONO mode, this setting will be
ignored.
Feedback #2 -98– +98%
Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Low Damp Freq 50–4000 Hz
Adjusts the frequency below which
sound fed back to the effect will be cut.
The lower range is attenuated earlier
than other ranges (low-damp effect).
Low Damp Gain -36–0 dB Degree of Low Damp
2-Band
EQ
Delay
Overdrive/
Distortion
L
R
Hi Damp Freq
2000–20000 Hz
Adjusts the frequency above which
sound fed back to the effect will be cut.
High Damp, by attenuating the higher
frequencies first, makes the delay
sound more natural.
Hi Damp Gain -36–0 dB Degree of High Damp
Balance #3
DRY100:0WET–
DRY0:100WET
Volume balance between the direct
sound (DRY) and the delay sound
(WET)
Ps Low Freq 50–4000 Hz Frequency of the low range
Ps Low Gain -15– +15 dB Gain of the low range
Ps Hi Freq 2000–20000 Hz Frequency of the high range
Ps Hi Gain -15– +15 dB Gain of the high range
Level 0–127 Output level
Parameter Value Description
V-Synth_GT_v2_e1.book 13 ページ 2008年12月17日 水曜日 午前9時5分

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