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Appendix F: MIDI Implementation
Sequential
Appendix F: MIDI Implementation
The Pro 3 receives MIDI data according to the settings you have chosen
in globals. In addition, there is interaction between some of the program
parameters that determine the overall response of Pro 3 to MIDI data.
These are the globals parameters that affect response to MIDI:
MIDI Channel: All, 1…16—Selects which MIDI channel to send and
receive data, 1 to 16. All receives on all 16 channels.
MIDI Clock Mode: Sets the Pro 3’s ability to send and receive MIDI
clock messages:
• Off: MIDI Clock is neither sent nor received
• Master: MIDI Clock is sent, but not received
• Slave: MIDI Clock is received, but not sent
• Slave Thru: MIDI Clock is received and passed to MIDI Out
• Slave No S/S (no start and stop): Receives MIDI Clock but does not
respond to MIDI Start or Stop command.
When set to slave or slave thru, if no MIDI clock is present at the selected input,
the arpeggiator and sequencer will not function.
MIDI Clock Cable In: MIDI, USB—Sets the port, MIDI or USB, by
which MIDI clock signals are received.
MIDI Clock Cable Out: MIDI 1, MIDI 2, USB, MIDI All, ALL—Sets the
port, MIDI or USB, by which MIDI clock signals are sent.
MIDI Param Send: Off, CC, NRPN—Changes to the values of front panel
controls are transmitted via MIDI as Continuous Controllers (CC) or
Non-Registered Parameter Number (NRPN). Transmission of parameters
can also be turned off.
NRPNs are the preferred method of parameter transmission, since they cover
the complete range of all parameters, while CCs are limited to a range of 128.
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