Behringer DEEPMIND 12 - Page 73

73 DeepMind 12 User Manual
There is also a visualization of the modulation as shown below. The
arrows indicate the polarity of the modulation.
• ENV-1 - Bipolar use of the ENV 1 envelope.
• ENV-2 - Bipolar use of the ENV 2 envelope.
• ENV-3 - Bipolar use of the ENV 3 envelope.
Note: In the visualization for ENVELOPE sources, the arrow will only
point in the UP direction indicating that the modulation will be positive
from the base pitch.
• LFO-1(Uni) - Unipolar use of the LFO 1 waveform.
• LFO-2(Uni) - Unipolar use of the LFO 1 waveform.
Note: In any of the Unipolar (Uni) modes, the waveform is only used for
positive modulation.
OSC 2 PITCH MODULATION AMOUNT (ENVELOPE AS SOURCE)
OSC 1 (SQR)
ENVELOPE
ATTACK DECAY
SUSTAIN
RELEASE
PITCH MOD
OSC 2 PITCH MODULATION (UNIPOLAR LFO AS SOURCE)
OSC 1 (SQR)
PITCH MOD
LFO (SIN)
UNIPOLAR
Note: In the visualization for Uni-polar LFO sources, the arrow only
points in the UP direction, indicating that the modulation will be
positive from the base pitch.
The default setting for the P.MOD-SRC is LFO-1.
• AFT>P.M O D - This option controls how much PITCH MODULATION is
increased by AFTERTOUCH pressure. This allows you to expressively control
the PITCH MODULATION and its eect using key pressure.
The AFT>P.MOD range is from 0-255, and the default setting is 0 (O).
• WHEEL>P.MOD - This option controls how much PITCH MODULATION depth
is increased by the MOD WHEEL position. This allows you to expressively
control the PITCH MODULATION and its eect using the MOD WHEEL.
The MOD WHEEL>P.MOD range is from 0-255, and the default setting is 0
(O).
• T.MOD-SRC - This option allows you to select the source for the amount of
TONE MODULATION from the following:
• MANUAL - The TONE MOD fader is used to manually adjust the PWM.
• LFO-1 - Bipolar use of the LFO 1 waveform. In this mode the TONE MOD
fader is used to adjust the amount of modulation from 0 to ± 49%.
• LFO-2 - Bipolar use of the LFO 2 waveform. In this mode the TONE MOD
fader is used to adjust the amount of modulation from 0 to ± 49%.
Note: When an LFO is used as a TONE MOD source, the arrows indicate
the range of modulation as shown below:
OSC 2 TONE MODULATION (LFO AS SOURCE)
OSC 2 (SQR)
LFO (SIN)
TONE MOD