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General| Film Formats | 35mm film |
|---|---|
| Power Supply | 100-240V AC, 50-60Hz |
| Image Processing | Real time |
| Output Formats | DPX |
| Color Depth | 10-bit |
Secure the scanner to a work surface using mounting holes in its feet with M6 safety bolts.
Remove scanner feet and support strut for wall mounting, using M8 screws.
Download and install DaVinci Resolve Studio and the Cintel Scanner software from the support center.
Connect a standard IEC cable to the AC power socket to power the scanner.
Connect via Thunderbolt 3 (Win/Mac) or PCIe (Win/Linux) for scanning.
Update firmware for the Audio and KeyKode Reader using the Cintel Setup utility via USB-C.
Open the scanner's sliding doors to reveal the internal front panel with spools.
Configure the 'wind type' (B/A) in DaVinci Resolve for correct spool direction.
Slide the 75mm spool core and core clamp onto the scanner's taking spindle.
Load film onto the feeder spindle, using backing plate for cores and spacers for reels.
Gently lace film leader through the scanner's rollers following the provided illustration.
Secure film to the taking spool via notch or friction, then tension using load button or manual turning.
Check film playback via scanner or DaVinci Resolve; adjust film type if image is flipped.
Use the focus dial and DaVinci Resolve's 'focus assist' to achieve sharp focus.
Learn about A/B wind types for spool direction and film loading/unloading.
Close scanner doors to block light pollution and prevent capture issues.
Replace the 35mm skid plate with the 16mm skid plate using retention levers.
Insert the rubber 16mm inner spacer at the base of the feeding and taking spools.
Use optional 1mm rubber spacers for reel alignment with the 16mm Gate Kit.
Install outer 16mm spacer to secure reels/cores after mounting film onto spools.
Lightly tighten M4 tension screws to adjust roller bearings for film path and gate weave.
Tensions film onto spools or unloads film by returning compliance arms to slack.
Winds film back onto the feeding spool, with different stops for spool sizes.
Rewinds the film one frame, or plays backward at slow speed.
Stops playback, fast forward, and rewind operations.
Plays the film at the default frame rate of 24 fps, with reverse option.
Advances the film one frame, or plays forward at slow speed.
Rapidly advances the film onto the taking spool.
Access the film scanner panel via the 'capture' button to set up and calibrate the scanner.
Digitally calibrate optics to eliminate unremovable blemishes or dust from the scanner.
Select film type, reel type, and scanning speed; aligns film with sensor.
Select film type (positive, negative, etc.) and reel type (35mm, 16mm).
Enables high dynamic range multi-pass capture; requires auto black/white.
Fine-tune perf position relative to the scanner gate aperture using Command-J/L.
Advance frame up/down to align visible film frame with scanner sensor.
Set scan speed (fps) based on disk performance to avoid dropped frames.
Configure wind direction for the left-hand side feed spool based on film winding.
Configure wind direction for the right-hand side take up spool based on film winding.
Adjust settings for improved stability when scanning small film reels.
Enable luminance peaking for optimal focus adjustment on HDMI output and viewer.
Adjust light intensity for optimal Dmin and color temperature.
Automatically sets black/white points for negative/positive film types.
Adjust R, G, B channels to alter light source color temperature.
Enable/disable hardware stabilization; use software if perforations are poor.
Enable X (gate weave) and Y (gate hop) stabilization.
Manually adjust stabilization overlay to align with perforation edge.
Set maximum change in speed for acceleration/deceleration (5-30 fps).
Set shuttle speed between 1-100 fps (35mm) or 1-200 fps (16mm).
Adjust tension for sprocket wheels, useful for delicate archival film or shrinkage.
Use 'browse' to choose save location; set prefixes for file/folder names.
Choose to capture audio only, image only, or image and sound.
Resolution depends on source film format and cannot be edited.
Select 'Cintel Raw' (default) or 'Cintel Raw 3:1' for smaller file sizes.
Specify original shot frame rate; DaVinci Resolve adjusts timeline rate.
Add a prefix to identify scans, e.g., project name or film title.
Prefix scans with a timestamp; saves clips to independent sub-folders.
Dust the gate, turn on scanner, open DaVinci Resolve, and calibrate optics.
Load film, choose film type, and use 'perf nudge'/'frame' for alignment.
Use Focus Assist in DaVinci Resolve to achieve optimal focus.
Capture long sections of a reel; scanning starts at current frame until 'stop' is clicked.
Scan specific sections defined by In/Out points; stops after one clip.
Log clips in advance and scan them all at once using current settings.
Capture a single frame with normal exposure and current scanner settings.
Display audio scan area guides to monitor extraction and identify issues.
Adjust horizontal position and width of the audio scan area guides.
Adjust the vertical position of the audio scan area guide box.
Adjust the audio scan area guide box height, compensating for film shrinkage.
Automatically aligns guide box height with audio waveform; can be disabled.
Configure setting based on waveform color (white/black) for correct audio extraction.
Enable to track perforations independently for audio extraction with large movements.
Select for variable density audio soundtracks; default is off for variable area.
Remove reader covers, remove M4 screw plugs from scanner, plug reader into XLR connector.
Fasten reader using 3 captive M3 screws, ensuring it is seated flat before tightening.
Lace film through the reader's audio path for real-time audio recording.
Choose None, Audio and KeyKode Reader, or External Audio for sound capture.
Determine reader functions for KeyKode or audio reading.
Select 'KeyKode Perforations' or 'KeyKode Frames' for KeyKode capture.
Remove PTRs, clean with warm soapy water, air dry; use silicon grease if needed.
Clean capstans as needed, ideally prior to each new film roll; air dry before use.
Use air duster for film contact surfaces; pay attention to skid plate infill.
Clean roller with damp cloth by turning cleaning knob; use only water.
Clean magnetic head with Q-tip and water; allow to dry; head is pre-demagnetized.
Major components available through local Blackmagic Design support offices.
Create new projects or open existing ones via the 'home' icon.
Fast editing workflow for assembling, trimming, and editing clips efficiently.
Access Media Pool, Sync Bin, Transitions, Titles, and Effects for editing.
Control viewer modes: Source Clip, Source Tape, and Timeline for clip selection.
Import individual media files or folders into the project.
Add clips to the timeline by dragging or using append tool; clips layer on tracks.
Add shots sequentially to the end of the timeline using the append tool.
Adjust clip start/end points by dragging; edits shift subsequent clips.
Expand audio waveform in timeline for accurate audio edits and point selection.
Place titles on timeline from 'titles' media tab; preview available via hover scrub.
Preview titles in the viewer by checking 'hover scrub preview' in the titles panel.
Drag title to timeline, edit clip duration, then use tools and inspector for customization.
Utilize flexibility of Blackmagic RAW for adjustments like white balance and ISO.
Adjust clip settings and gamma controls for optimization and balancing.
Adjust ISO, Highlight Recovery, Gamut Compression, Color Temp, Tint, Exposure, Saturation, Contrast.
Adjust Midpoint, Highlight/Shadow Rolloff, White/Black Levels, and export frames.
Adjust gamma controls and click 'update sidecar' to save changes.
Set global project settings for Blackmagic RAW clips (profile, decode, color science).
Neutralize clips for consistency and apply primary/secondary color corrections.
Utilize scopes (waveform, parade, vectorscope, histogram) to balance shots and monitor levels.
Adjust the 'lift' dial to control brightness of dark regions in the picture.
Adjust the 'gain' dial to control brightness of highlights in the picture.
Adjust the 'gamma' dial to control brightness of mid tones in the picture.
Adjust specific parts of an image using tools like HSL qualifier and power windows.
Use HSL qualifier to select and adjust specific colors in a clip.
Isolate specific regions of clips for secondary corrections using window shapes.
Use tracker to match window movement to object or area motion in the clip.
Add Resolve FX or OFX plugins for effects on color page or transitions on edit/cut pages.
Edit, mix, and master audio in the Edit page; use Fairlight page for advanced audio tools.
Add mono, stereo, or 5.1 tracks to the timeline via right-click menu.
Adjust project audio with expanded mixer and monitoring controls for optimal mix.
Features track headers (number, name, channels) and tracks divided into lanes for audio editing.
Buses group audio sources into a single signal for controlled mixing.
Assign track channels, adjust EQ, dynamics, levels, pan, mute, and solo tracks.
Apply EQ filters to clips/tracks to adjust frequencies, remove noise, and improve sound quality.
Select clip, click inspector, then 'equalizer' enable button to add EQ filter.
Double-click EQ section in mixer to open track equalizer; select band filter type.
Use Fusion page for 2D/3D visual effects and motion graphics via node-based workflow.
Features viewers, inspector, and nodes window for building compositions.
Drag additional media from bins directly to your composition.
Find Fusion tools and templates sorted by category (particle, tracking, filters).
View different composition perspectives (3D, camera output, render output).
Connect tools via nodes to build compositions; inspector panel shows settings.
Make precise adjustments to node animation using bezier curves.
Open Fusion page by clicking tab; clip available in MediaIn node; compositions start with MediaIn/MediaOut.
Place nodes between MediaIn/MediaOut or connect manually; use merge node as a central hub.
Modify node settings and controls in the inspector panel; view multiple nodes.
Set keyframes by right-clicking settings; changes apply to current frame only.
Track elements in clips and attach text using generated tracking data.
Export project via Quick Export or Deliver page in various formats and codecs.
Export program via presets from any page; supports direct upload to sharing services.
Select export range, format, codec, and resolution; add settings to render queue.
Adjust Motion Estimation Type, Neighbor Frames, Repair Strength, Dirt Size Threshold.
Fine-tune effect for perfect tradeoff between dirt removal and image detail preservation.
Threshold for pixels in motion considered dirt/artifacts; affects motion artifacts.
Exclude hard edges from being affected by dirt or artifact removal.
Controls for drawing patches: Patch Style (Rect, Ellipse, Place Patch), Show Patches.
Methods to fix patches: Auto, +/- 1/2 Frames, Spatial, Clone, Blend Clone, Fill Method.
Customize patch effect: Mute, Variability, Soft Edges, Size Adjust.
Customize UI: Clone Sticks to Mouse, New Patches Stay Selected, UI Line Thickness, Output Mode.
Analyze frames to isolate noise from detail, exclude moving subjects to prevent artifacts.
Select motion detection method (Faster, Better, None) for temporal NR.
Set speed of motion (Small, Medium, Large) for temporal NR to exclude.
Control image characteristics for noise reduction: Luma, Chroma, Gang Luma Chroma, Motion, Blend.
Smooth regions of high-frequency noise while preserving detail.
Switch spatial NR algorithms: Faster, Better, Enhanced.
Adjust radius (Large, Medium, Small) for detail analysis and performance tradeoff.
Control image characteristics for noise reduction: Luma, Chroma, Gang Luma Chroma.
Dissolve between spatial NR effect and original image.
Dissolve between no noise reduction and current spatial/temporal NR settings.
Step-by-step guide for applying temporal and spatial NR for controlled results.
Evaluate NR radius on large display; zooming may encourage unnecessary high quality settings.
Isolate feature with window, track movement, drag object removal plugin onto node.
Lists film stocks, gauges, resolutions, audio/HDMI formats, dirt reduction, mounting.
Details continuous motion, shuttle speeds, film shrinkage tolerance, acceleration, capacity.
HDMI, Options Interface (XLR6), Computer Interface (Thunderbolt, PCIe).
Voltage Range (90-240V AC) and Power consumption (200W).
Operating Temperature (18-28°C) and Relative Humidity (Max 65%).
Mac, Windows, and Linux.
Lists Cintel Audio/KeyKode Reader, Gate HDR kits, Cleaning Roller, PCI Cable Kit.
Details equalization, KeyKode/audio scan speeds, LED type, audio types, sampling rate.
Scanner weight (70kg/155lbs) requires qualified engineer advice for safe mounting.
Ensure work surface stability and strength for desk mounting screws.
Ensure installation location strength for long-term use; use secure mounting brackets.
Be aware of moving parts; keep fingers and body parts clear of scanner during operation.
Product may expose users to chemicals known to cause cancer or birth defects.
Disconnect power from both inlets before servicing.
Find latest manuals, software, and support notes at blackmagicdesign.com/support.
Visit forum for information, creative ideas, and faster help from users and staff.
Email support requests or call local support team via support page.
Check DaVinci Resolve version in 'About' menu; Cintel Setup utility for scanner software.
Visit support center for updates; avoid updating during critical projects.
Generate HTML status report via Cintel Setup utility for diagnosing problems.
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