TS-12 Musician’s Manual Section 7 — Effect Parameters
23
HF - DAMPING Range: 00 to 99
Controls the rate of attenuation of high frequencies in the decay of the reverberation. As natural
reverb decays, some high frequencies tend to get absorbed by the environment. Increasing the
value of this parameter will filter out increasing amounts of high-frequency energy.
BANDWIDTH Range: 00 to 99
Acts as a low pass filter on the signal going into the reverb, controlling the amount of high
frequencies that will pass into the effect. The higher the setting, the more high frequencies are
allowed to pass.
LF DECAY Range: -99 to +99
This control will boost or cut the rate at which low frequencies will decay.
DIFFUSION Range: 00 to 99
Determines whether the early reflections will appear as a series of discrete echoes (lower values)
or will be more diffused (higher values).
DETUNE - RATE Range: 00 to 99
Controls the LFO rate of detuning incorporated within the reverb. Detuning creates a slight pitch
shift into the reverberated signal, giving it a more natural sounding decay by breaking up
resonant nodes.
DEPTH Range: 00 to 99
Controls the depth of the detuning, that is, how much the pitch will change. Low values yield a
metallic sound. Some voices sound best with very low values.
52 EQ- -FLANGER + DELAY
EQ- -FLANGER + DELAY combines an EQ and a flanger, and a digital delay. Use flanging to get
that “jet aircraft woosh” effect.
EQ- -FLANGER + DELAY Signal Routing
FX-1 Left
FX-2 Left
FX-1 Right
FX-2 Right
R
L
Main
Outputs
Echo
Delay
Flanger
Flanger
Echo
Level
Input Level Trim
EQ
Delay
Feedback
EQ
In this algorithm the signal enters an input level trim (EQ TRIM) followed by a programmable
EQ, and then is routed to the flanger. The flanger is routed directly to the output. The left
channel signal passes through the delay and is routed back into the flanger. Another signal from
the delay is routed to the output on the right side. The DELAY - REGEN parameter controls both
delay levels. There are two discrete echoes that are sent to the left and right outputs respectively.
The signal from both echoes has one level control (ECHO - LEVEL). There is also an external dry
signal (not shown) that goes directly from the input to the Main Output (DRY). The EFFECT MIX
FX-1 and FX-2 parameters can be routed into the effect with different Dry/Wet mixes.
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