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User Manual – 19/26
6.11. Adding effects onto a piece
If you want to call attention to a new piece during your mix or prepare your audience for a
microphone address, you can add effects onto pieces you are playing.
- Make sure that the DJ Console Mk2’s Fx LED is lit up (if not, press the Triangle).
- Press button 1, 2 or 3 to add one of the effects.
Note: in VirtualDJ, other effects can be set for buttons 1, 2 and 3 by clicking .
6.12. Scratching
The DJ Console Mk2 allows you to scratch your MP3s and CDs in the same way that a DJ
scratches vinyl records. To do this you will use the DJ Console Mk2’s jog wheels, together with
the cross fader to boost/interrupt the sound.
There are many scratch effects, the most well-known of which are described below:
Baby Scratch
No need to use the volume control for this basic scratch. It consists of doing a forward scratch,
immediately followed by a backward scratch.
Tear Scratch
The Tear Scratch doesn’t use the volume control either. As with the Baby Scratch, you do a
forward scratch followed by a backward scratch, but this backward scratch is broken down into
two different speeds: you must first scratch quickly, and then slowly. Thus, the different steps are
as follows: forward scratch, quick backward scratch, slow backward scratch.
Forward Scratch
You must do a forward scratch and then quickly lower the volume to its minimum setting before
doing a backward scratch to return to the initial position and restore the volume. Only the forward
scratch will be audible.
Backward Scratch
The reverse of the Forward Scratch: you must do a backward scratch and then quickly lower the
volume to its minimum setting just before doing the forward scratch, and then restore the volume.
Pass-Pass
The Pass-Pass is not a scratch technique, strictly speaking, since it uses the scratch as well as
other elements (pitch, cross fader, etc.) to create new compositions. To carry out this technique
you must play the same piece on both decks, and then it’s up to you to make use of the DJ
Console Mk2’s functions to create new rhythmic combinations by alternating your manipulations
on each deck. A perfect mastery of the cross fader and of the basic scratch techniques is
required, as well as a good sense of rhythm and excellent familiarity with the piece.
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