94
Effects settings
The effect section of the TRITON-Rack provides five
insert effects, two master effects, one master EQ (ste-
reo 3-band EQ), and a mixer that controls the routing of
these components.
You can choose from 102 types of full-digital effects for
each insert effect, and from 89 types for each master
effect. The effects are categorized as follows.
Categories of the 102 effect types
Effects 000–089 can be selected for IFX1, 2, 3, 4, 5,
or MFX 1 or 2. Effects 090–102 are double-size
effects, and will use twice the processing area of
other effects. They can be selected for IFX2, IFX3 or
IFX4.
Effects in each mode
In Program mode, insert effects can be used as part of
the sound-creating process, in the same way that the
output sound of the oscillator (OSC) is processed by
the filter and amp to create the final sound. Then the
master effects can be used to apply spatial-type effects
such as reverb. The stereo 3-band master EQ located
immediately before the OUTPUT (MAIN) L/MONO
and R outputs is used to make final adjustments in
tone. These settings can be made independently for
each program.
In Combination mode, and Multi mode, insert effects
can be used to help create the sound of each timbre/
track. The master effects are used to apply overall spa-
tial processing, and the master EQ is used to make
overall adjustments in tone.
These settings are made in Combination mode inde-
pendently for each combination, and in Multi mode for
each multi the entire mode.
In Sampling mode, the sound of an external source
that is input from AUDIO INPUT 1 and 2 can be pro-
cessed by the insert effects as the sound is sampled.
Sampling mode settings are made by the “Input 1” and
“Input 2” parameters of the SMPL 1.1: Recording,
Input/Pref page. The settings here are valid only
within Sampling mode.
The external input from AUDIO INPUT 1 and 2 can be
used outside of Sampling mode. In Program, Combina-
tion, and Multi modes, the external input sound can be
processed by the insert effects, master effects, and
master EQ.
This means that you can use the TRITON-Rack as a 2-
in/6-out effect processor. When 093: Vocoder is
selected, the TRITON-Rack can be used as a vocoder
effect processor in which its internal sounds are con-
trolled by an external mic input.
001–015 Filter and dynamics effects, such as EQ and com-
pressor
016–031 Pitch and phase modulation effects, such as chorus
and phaser
032–040 Other modulation and pitch-shift effects such as
rotary speaker and pitch shifter
041–051 Early reflection and delay effects
052–057 Reverb effects
058–089 Mono and mono-chain effects in which two mono
effects are connected in series
090–102 Double-size effects
Insert Effect 1-5
Master EQ
Oscillator
Filter
Amplifier
ReturnSend
OUTPUT
L/MONO, R
Master Effect 1,2
Master EQ
ReturnSend
OUTPUT
L/MONO, R
Timbre 1 / Track 1
Timbre 2 / Track 2
Timbre 8 / Track 16
Insert Effect 1-5
Master Effect 1,2
Insert Effect 1-5
Sample
Recording
AUDIO INPUT 1, 2
Insert Effect 1-5
Master EQ
Oscillator
Filter
Amplifier
ReturnSend
OUTPUT
L/MONO, R
Master Effect 1,2
AUDIO INPUT 1, 2
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