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etc. to match the MIDI channel of the track you wish
to play. Also set the “Control Track” to match the
track you wish to play.
For example you might assign backing patterns
such as drums and bass to the C#2–B2 keys and
use these keys to control pattern playback, and use
keys C3 and above to play solos in realtime. It is a
good idea to keep the assigned keys together in
this way.
Using REVERT to copy RPPR settings
By using “REVERT” (press the [F4] key), you can copy
the “Pat (Pattern Bank),” “Pattern Select,” and “Track”
settings of the previously-edited “KEY” whose
“Assign” was checked. This allows you to work more
efficiently when the patterns you are assigning to the
keys are numbered consecutively or are nearby each
other, and you are using them in the same track.
For example if you have started from the state shown
in the foregoing illustration for step 2 and followed
the steps through 7, the settings will be as follows.
“KEY”: C#2
“Pat (Pattern Bank)”: Pre
“Pattern Select”: P00: Pop&Balad 1/Std
“Track”: T01: Drums
Now let’s suppose that we want to make the following
settings.
“KEY”: D2
“Pat (Pattern Bank)”: Pre
“Pattern Select”: P01: Pop&Balad 2/Std
“Track”: T01: Drums
1 Follow steps 1–9 of “RPPR settings” to assign
the first RPPR to “KEY” C#2.
2 Assign the second RPPR to “KEY” D2.
Set “KEY” to D2.
3 Press the [F4] (“REVERT”) key.
The settings of 1 for “Pat (Pattern Bank),” “Pattern
Select,” and “Track” will be copied.
4 Set “Pattern Select” to P01: Pop& Balad 2/Std.
By repeating steps2–4 in this way, you can make
RPPR settings more efficiently.
RPPR playback
Here’s how you can use the RPPR function to perform
in the 1.1: Play, Multi page.
1 Select the 1.1 Play, Multi page.
2 Check the “RPPR” check box.
The RPPR function will be turned on.
The on/off setting is memorized for each multi.
3 Play the keyboard on a connected MIDI instru-
ment, and patterns will begin playing according to
the RPPR settings.
4 To turn off the RPPR function, uncheck the RPPR
check box.
RPPR performance techniques
The pattern will start accurately if you play the note on
the connected MIDI instrument slightly ahead of the
beat or measure. Also, even if the timing of the note
you play is slightly after the beat or measure (but
within a 32nd note of it), the pattern will be played as
though it started on the beat or measure, but the begin-
ning of the pattern will be “squeezed” by the amount
of this delay.
Recording RPPR performance on an external
sequencer
A multi-track performance played using RPPR can be
recorded on an external sequencer.
For tracks whose track status is set to BTH, EXT, or
EX2, the pattern playback will be transmitted via MIDI.
The playback will be recorded on the tracks of the
sequencer whose channels match the MIDI channels of
the tracks being used for RPPR. (
☞PG p.228)
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