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Type | Analog Synthesizer |
---|---|
Arpeggiator | Yes |
Sequencer | Yes, 64-step |
CV/Gate | Yes |
USB | Yes |
Memory | 256 Presets |
Keyboard | 37-note |
LFO | 2 LFOs |
Outputs | Headphone Out |
MIDI | In/Out/Thru |
Weight | 22 lbs |
Oscillators | 2 Variable Waveshape VCOs |
Filter | Moog Ladder Filter with 6/12/18/24 dB per octave slopes |
Lists the necessary items for operating the Sub 37, including a stand, cables, and speakers.
Instructions for connecting the power cord and operating the power switch for the Sub 37.
Details on connecting speakers or a mixing console via the audio output and adjusting volume levels.
Explains how to connect external sound sources to shape and filter them using the Sub 37.
Guidance on connecting the Sub 37 to a computer for MIDI I/O via USB.
Instructions for connecting MIDI devices to control or be controlled by the Sub 37.
Describes the use of CV inputs for expression pedals and control voltage signals.
Step-by-step guide on recalling presets using the BANK and PRESET buttons.
Method for navigating and selecting presets using the CURSOR and arrow buttons.
Instructions on how to filter and browse presets based on their assigned categories.
Explains the process of saving edited sounds as new presets.
Allows comparison between a stored preset and current edits without discarding changes.
Initiates the process of saving the current sound settings as a preset.
Access point for system settings related to MIDI and global configurations.
Explains the difference between PRESET mode and PANEL mode for sound recall.
Accessing additional preset parameters not found on the front panel.
Resets the Sub 37 panel settings to their default state for creating new sounds.
Adjusts the frequency of oscillators for precise tuning with other instruments.
Extends the keyboard range up or down by octaves and handles MIDI note transposition.
Enables continuous looping of arpeggiated notes without holding keys.
Sets the speed of the arpeggiator, syncable to internal or MIDI clock.
Synchronizes the arpeggiator to external MIDI clock messages.
Allows setting the arpeggiator's tempo by tapping the SYNC button.
Selects the octave range for the arpeggiator's notes.
Enables bi-directional playback of arpeggio patterns (UP/DOWN) and reverse order.
Plays notes in successive octaves before moving to the next note.
Chooses playback order (UP, DWN, ORDR, RND) or enables Step Sequencer recording.
Engages/disengages the arpeggiator or acts as REST in sequencer mode.
Keeps arpeggio playing after key release or ties notes in sequencer mode.
Introduction to recording and playing step sequences, including note entry and ties.
Details on recording and playing sequences with two notes simultaneously in Duo Mode.
Methods to enter and exit the Step Edit mode using panel controls.
Controls how sequence pages are displayed during playback in Step Edit mode.
Explains the LED and display cues indicating the current status in Step Edit mode.
Procedure for selecting and modifying individual steps within a sequence.
Toggling rest or tie status for a selected step and entering notes.
How keyboard or MIDI input affects step pitch, rest, tie, and ratchet data.
Method for grouping consecutive steps together with a tie.
Turning the rest state on or off for a selected step.
Defining the start and end points of a sequence.
Shifting sequence data left or right relative to the downbeat.
Temporarily removing a step from a sequence without altering its position.
Toggling ratchet on/off for a step to repeat notes multiple times.
Recording Mod Wheel data per step for modulation of parameters.
Specifies the transition time for pitch changes between notes.
Assigns the glide effect to Oscillator 1, Oscillator 2, or both.
Chooses between Linear Constant Rate (LCR), Linear Constant Time (LCT), or Exponential (EXP) glide.
Starts and stops glide based on the keyboard gate signal.
Applies glide only when pressing a new key while holding a previous one.
Engages or disengages the glide effect.
Details the controls for modulation sources, destinations, and depth.
Sets the rate of the Low-Frequency Oscillator for modulation effects.
Chooses the source for modulation (LFO waveforms, filter envelope, or programmed sources).
Increases the LFO rate range by 10x, extending it into the audio frequency range.
Synchronizes the LFO rate to internal or MIDI clock sources.
Restarts the LFO cycle at zero each time a new note is played.
Sets the depth of pitch modulation applied to oscillators.
Toggles modulation between oscillator 1, oscillator 2, or both.
Sets the depth of modulation applied to the filter's cutoff frequency.
Accesses menus for modulation wheel, velocity, aftertouch, and assignable controllers.
Assigns positive or negative amounts of modulation to the selected destination.
Cycles through various modulation destinations for LFOs, VCAs, EGs, and noise.
Modulates the rate of one LFO by the other LFO.
Modulates the amplitude level of the VCA for tremolo or ring modulation.
Applies modulation to the shape of the oscillator's waveform.
Modulates the mixer volume of the noise generator.
Modulates the relative time of envelope generator settings.
Details the controls for oscillator pitch, waveform shape, and synchronization.
Sets the pitch range for each oscillator across four octaves.
Varies the oscillator's waveform shape continuously between triangle, sawtooth, and square.
Locks oscillator 2's phase to oscillator 1 for complex harmonic content.
Forces audio oscillators to begin cycles simultaneously when a new note is played.
Enables independent pitch control of OSC 1 and OSC 2 for duophonic playing.
Determines how OSC 2 responds to keyboard input in Duo Mode (HI, LO, OFF).
Fine-tunes oscillator 2's pitch relative to oscillator 1 for detuning or unison effects.
Sets a linear constant detuning for oscillator 2, creating a beat frequency effect.
Details controls for mixing audio sources including oscillators, noise, and external input.
Sets the relative level for Oscillator 1, with distortion above setting 5.
Sets the relative level for the sub oscillator, providing foundational bass tones.
Sets the relative level for Oscillator 2, with distortion above setting 5.
Sets the level for the pink noise generator, used for percussion and sound effects.
Controls feedback levels or external audio input, potentially increasing volume.
Details controls for cutoff frequency, resonance, and distortion.
Sets the cutoff frequency for the low-pass filter, determining which frequencies pass through.
Increases frequencies near the cutoff, potentially causing self-oscillation.
Applies distortion effects to the signal path, ranging from warmth to hard clipping.
Selects the filter's rolloff rate (6, 12, 18, or 24 dB/octave).
Controls the depth of the envelope generator's effect on the filter cutoff.
Determines how keyboard pitch affects the filter's cutoff frequency.
Introduction to how envelope generators shape sound amplitude and timbre over time.
Sets the time for the filter frequency to ascend to its maximum level.
Sets the time for the filter frequency to descend from maximum to its sustain level.
Specifies the filter cutoff frequency level held until the gate ends.
Sets the time for the filter cutoff to descend from its current value to zero.
Enables envelopes to retrigger on subsequent notes, overriding legato behavior.
Resets the envelope attack from minimum, regardless of current level.
Retriggers the envelope at every unit of the beat when the SYNC button is lit.
Loops the envelope stages continuously while a note is held.
Keeps the filter envelope at its sustain level as if the gate was on.
Details how the FILTER ATTACK knob functions as DELAY when KNOB SHIFT is active.
Adds a hold stage to the filter envelope, specifying a fixed delay before decay.
Adjusts how keyboard velocity affects the filter envelope's response.
Specifies how keyboard tracking affects the filter envelope's decay and release times.
Sets the time for the mixer output amplitude to ascend to its maximum value.
Sets the time for the mixer output amplitude to descend to its sustain level.
Specifies the mixer output amplitude level held until the gate ends.
Sets the time for the mixer output amplitude to descend to zero after a key release.
Enables envelopes to retrigger on subsequent notes, overriding legato behavior.
Resets the envelope attack from minimum, regardless of current level.
Details how the AMP ATTACK knob functions as DELAY when KNOB SHIFT is active.
Main volume control for the audio output jack.
Mutes the audio signal at the AUDIO OUT jack without affecting headphones.
Balances the level of the headphones output relative to the main volume.
Configures MIDI transmission for keys, wheels, panel controls, and CC format.
Sets MIDI clock transmission, start/stop messages, and SPP following.
Manages SysEx dumps for buffer, sequence, presets, and bulk data.
Determines the MIDI receive channel for the Sub 37, including Omni Mode.
Sets the MIDI transmit channel for the Sub 37.
Controls whether MIDI Program Changes are sent from the Sub 37.
Determines if MIDI Program Changes are received by the Sub 37.
Selects which MIDI ports receive data (OFF, DIN, USB, BOTH).
Selects which MIDI ports transmit data (OFF, DIN, USB, BOTH).
Merges incoming DIN MIDI data with outgoing data, acting as a MIDI THRU.
Merges incoming USB MIDI data with outgoing data, acting as a MIDI Merge.
Specifies the Sub 37 as a single polyphonic voice for use with other synths.
Sets the maximum number of connected voices in a poly chain.
Filters MIDI data transmission for keys, wheels, panel, and CC/NRPN.
Controls transmission of MIDI note data and channel pressure (aftertouch).
Controls transmission of Pitch Bend and Mod Wheel MIDI data.
Controls transmission of MIDI data from panel knobs and buttons.
Determines if knobs and buttons transmit as NRPN or CC messages.
Chooses between 7-bit or 14-bit for Continuous Controller data precision.
Configures MIDI clock sending behavior and Song Position Pointer (SPP) following.
Manages SysEx dumps for buffer, sequence, presets, and bulk data.
Sends a SysEx dump of the current edit buffer's settings.
Sends a SysEx dump of the edit buffer's current sequence data.
Sends a SysEx dump of the currently selected preset's settings.
Sends a SysEx dump containing all 256 onboard preset settings.
Sends a SysEx dump of all Sub 37 settings, including presets, MIDI, and global.
Accesses arpeggiator-specific parameters within the preset edit menu.
Accesses sequencer-specific parameters within the preset edit menu.
Accesses filter envelope parameters within the preset edit menu.
Accesses amplifier envelope parameters within the preset edit menu.
Sets the keyboard transposition amount for the current preset.
Sets the keyboard note priority (LOW, HIGH, LAST) for the current preset.
Sets the maximum upward pitch bend amount for the current preset.
Sets the maximum downward pitch bend amount for the current preset.
Selects which oscillator(s) respond to the pitch wheel for the current preset.
Scales the total volume of each preset for level matching.
Specifies how long the arpeggiator's gate stays on for each note.
Determines arpeggiator note relationship to internal or MIDI clock.
Applies a swing feel to sequence data, affecting off-beat timing.
Determines when KB RESET occurs relative to the arpeggiator pattern.
Determines if beginning/ending notes play once or twice during turnaround.
Accesses sequencer parameters like MOD DST, SEQ MOD AMT, and RATCHET CNT.
Assigns SEQ MOD values to any parameter as a modulation destination.
Scales the amount of sequence modulation to a selected destination.
Uses the sequencer as a modulation source without playing notes.
Enables Mod Wheel for real-time scaling of sequence modulation values.
Sets the ratchet multiple for sequence steps, causing repeats.
Accesses filter envelope settings like Gate Source, Exp. Attack, and Clock Division.
Selects gate sources (NOTES, EXT, BOTH) to trigger the filter envelope.
Determines if the filter envelope's attack curve is linear (OFF) or exponential (ON).
Specifies filter envelope retriggering relationship to internal or MIDI clock.
Determines if the amplifier envelope's attack curve is linear (OFF) or exponential (ON).
Specifies amplifier envelope retriggering relationship to internal or MIDI clock.
Allows transposition of the Sub 37's keyboard from -12 to +12 half steps.
Sets keyboard note priority (LOW, HIGH, LAST, PRST) for the current preset.
Sets the maximum upward pitch bend amount for the current preset.
Sets the maximum downward pitch bend amount for the current preset.
Selects which oscillator(s) respond to the pitch wheel for the current preset.
Scales the total volume of each preset for level matching.
Allows creation, loading, and selection of custom tuning scales.
Disables keyboard/controllers for use as a MIDI controller or DAW recording.
Maps external CV inputs to various parameters and functions.
Configures sequencer behavior including reference note and phase reset.
Runs calibration routines for oscillators, aftertouch, and Pitch CV input.
Resets MIDI and Global settings to their default values.
Adjusts the display screen's contrast level for optimal readability.
Determines if menu navigation wraps around to the beginning of menus.
Enables or disables the front panel LED flashing light show.
Stores up to 31 custom 1-octave tuning scales, default is 12 tone equal tempered.
Adds a small random tuning offset to each note for detuning effects.
Sets global keyboard note priority (LOW, HIGH, LAST, PRST), overriding preset settings.
Defines how panel knobs respond when changing presets (ABS, THRU, RLTV).
Disables local sound engine response for keys, wheels, and panel controls.
Maps external PITCH CV controller to various Sub 37 parameters.
Scales SEQ MOD values stored in each sequence step.
Allows real-time adjustment of Ratchet Count via CV input.
Restarts sequencer at step 1 upon detecting a voltage trigger at the CV input.
Maps external VOL CV controller to Sub 37 sound parameters.
Maps KB GATE input to on/off parameters or special functions.
Uses voltage trigger at KB GATE to advance arpeggiator/sequencer step.
Sets KB GATE input to function as a Sustain pedal without triggering envelopes.
Reverses the effect of the KB GATE input for normally-open/closed footswitches.
Determines if CV Mapping settings are loaded per preset or globally.
Configures sequencer behavior including reference note and phase reset.
Sets the reference note for transposing step sequences (FIRST, MID C).
Resets sequencer timing to the downbeat when a new note is played.
Determines if new note presses restart the sequence from the first step when LATCH is on.
Delays preset changes until the end of a playing sequence.
Determines if MIDI output sends played keys or generated sequence notes.
Controls display page chasing for step data in Step Edit mode.
Sets the FINE TUNE knob function for menu navigation or parameter adjustment.
Determines if preset modulation depth is controlled by current or saved Mod Wheel position.
Accesses calibration sub menus for oscillators, aftertouch, and Pitch CV input.
Runs a full-range calibration procedure to ensure oscillator tuning for every note.
Sets the lowest note number for note calibration.
Sets the highest note number for note calibration.
Allows setting values for precise tracking of aftertouch sensor response.
Provides a real-time readout of the aftertouch sensor's current value.
Sets the lowest SENSOR value for full aftertouch response.
Sets the highest SENSOR value for full aftertouch response.
Adds glide time between aftertouch amounts for a smoother response.
Runs a calibration routine for incoming pitch CV signals.
Runs a calibration routine for incoming volume CV signals.
Resets MIDI and Global settings to their default values.
Sets the modulation depth caused by the Mod Wheel.
Sets the modulation depth caused by keyboard velocity.
Sets the modulation depth caused by keyboard aftertouch.
Sets the modulation depth for a designated external MIDI CC.
Chooses the source for the fourth modulation depth controller.
Accesses further modulation editing options.
Changes the modulation source from Filter EG to other options.
Specifies the modulation destination for the programmed source.
Changes LFO rate based on key number, ranging from 0% to 200%.
Causes the LFO to swing at the amount set in the Arpeggiator sub menu.
Details MIDI channel settings and MIDI Control Change (CC) messages.
Sets the MIDI receive and transmit channel from 1-16 or ALL (Omni Mode).
Lists all MIDI CC messages and their corresponding values for the Sub 37.
MIDI CC message for selecting preset banks.
MIDI CC message for controlling the Mod Wheel.
MIDI CC message for controlling LFO 1 rate.
MIDI CC message for modulating pitch with Mod Bus 1.
MIDI CC message for controlling glide time.
MIDI CC message for controlling the master volume output.
MIDI CC message for controlling Oscillator 1 waveform.
MIDI CC message for modulating filter with Mod Bus 1.
MIDI CC message for controlling Oscillator 2 frequency.
MIDI CC message for controlling filter cutoff frequency.
MIDI CC message for controlling filter resonance.
MIDI CC message for filter envelope attack time.
MIDI CC message for amplifier envelope attack time.
MIDI CC message for amplifier envelope hold time.
MIDI CC message for pitch bend up amount.
MIDI CC message for selecting filter slope settings.
MIDI CC message for controlling Oscillator Duo Mode ON/OFF.
MIDI CC message for setting keyboard control modes (LO/HI).
MIDI CC message for filter envelope multi-trigger setting.
MIDI CC message for controlling Oscillator 1 level.
MIDI CC message for controlling Oscillator 1 sub level.
MIDI CC message for controlling Oscillator 2 level.
MIDI CC message for controlling noise generator level.
MIDI CC message for controlling feedback or external input level.
MIDI CC message for enabling or disabling local control.
Details the one-year warranty period, repair/replacement policy, and exclusions.
Procedure for obtaining an RMA number and returning the product for service.
Explains how Moog Music inspects and handles returned products.
Instructions on how to register the instrument online or via phone.
Provides guidelines for cleaning and maintaining the Sub 37.