Novation SUMMIT - MIDI Operation in Single and Multi Patch Modes; Modulation Matrix - Sources; Modulation Matrix - Destinations; Modulation Matrix - Destinations Continued

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MIDI operation in Single and Multi Patch modes
MIDI CHANNEL
GLOBAL PART A PART B
Single Patches
MIDI data is transmitted
and received on the Global
Channel only
No data transmitted or received
Multi Patches – MIDI Rx
LAYER MODE
MIDI data received regardless
of which Part is selected
Data for each Part accepted
on its assigned channel
SPLIT MODE Data not accepted
DUAL MODE
Data accepted if MULTIPART
CONTROL is set to Both
Multi Patches – MIDI Tx
LAYER MODE
No data transmitted
Data for each Part is
transmitted separately on its
assigned channel
SPLIT MODE
DUAL MODE
Modulation Matrix – sources
The table below lists the sources of modulation available to Inputs A and B of each Slot in
the Modulation Matrix.
Display Controlling Source
Direct
The Depth control (
10
; select Row 4)
ModWheel
Mod Wheel
AftTouch
Keyboard aftertouch
ExprPED1
Expression pedal connected at PEDAL 1 input
BrthPED2
Expression pedal connected at PEDAL 2 input
Velocity
Keyboard velocity
Keyboard
Key position on keyboard
Lfo1+
LFO 1 waveform varies controlled parameter in a positive sense
Lfo1+/-
LFO 1 waveform varies controlled parameter both positively and
negatively
Lfo2+
LFO 2 waveform varies controlled parameter in a positive sense
Lfo2+/-
LFO 2 waveform varies controlled parameter both positively and
negatively
AmpEnv
Amplitude envelope
ModEnv1
Modulation envelope 1
ModEnv2
Modulation envelope 2
Animate1
Animate Button 1
Animate2
Animate Button 2
CV +/-
CV input varies controlled parameter both positively and negatively
Lfo 3 +
LFO 3 waveform varies controlled parameter in a positive sense
Lfo 3 +/-
LFO 3 waveform varies controlled parameter both positively and
negatively
Lfo 4 +
LFO 4 waveform varies controlled parameter in a positive sense
Lfo 4 +/-
LFO 4 waveform varies controlled parameter both positively and
negatively
BndWhl+
Pitch Bend wheel up increases parameter
BndWhl-
Pitch Bend wheel up decreases parameter
Modulation Matrix – destinations
The table below lists the destinations to which each Slot of the Modulation Matrix may be
routed.
Display Controlling Source
O123Ptch
Frequency of all three oscillators
Osc1Ptch
Oscillator 1 frequency
Osc2Ptch
Oscillator 2 frequency
Osc3Ptch
Oscillator 3 frequency
Osc1VSnc
Oscillator 1 VSync level
Osc2VSnc
Oscillator 2 VSync level
Osc3VSnc
Oscillator 3 VSync level
Osc1Shpe
Oscillator 1 Shape Amount
Osc2Shpe
Oscillator 2 Shape Amount
Osc3Shpe
Oscillator 3 Shape Amount
Osc1 Lev
Oscillator 1 level
Osc2 Lev
Oscillator 2 level
Osc3 Lev
Oscillator 3 level
NoiseLev
Noise source level
Modulation Matrix – destinations continued
Ring Lev
Ring Modulator output level (RM inputs are Osc 1 and Osc 2)
VcaLevel
Overall synth output level
Filt D r v
Pre-filter Overdrive
Filt Dist
Post-filter Distortion
Filt Fr e q
Filter cut-off frequency (or centre frequency when Shape=BP)
Filt R e s
Filter Resonance
Lfo1R a t e
LFO 1 frequency
Lfo2Rate
LFO 2 frequency
AmpEnv A
Attack time of Amplitude envelope
AmpEnv D
Decay time of Amplitude envelope
AmpEnv R
Release time of Amplitude envelope
ModEnv1A
Attack time of Modulation envelope 1
ModEnv1D
Decay time of Modulation envelope 1
ModEnv1R
Release time of Modulation envelope 1
ModEnv2A
Attack time of Modulation envelope 2
ModEnv2D
Decay time of Modulation envelope 2
ModEnv2R
Release time of Modulation envelope 2
FM O1>O2
Depth of Frequency modulation applied to Oscillator 2 by Oscillator 1*
FM O2>O3
Depth of frequency modulation applied to Oscillator 3 by Oscillator 2*
FM O3>O1
Depth of frequency modulation applied to Oscillator 1 by Oscillator 3*
FM Ns>O1
Amount of noise modulation applied to Oscillator 1*
O3>FiltF
Degree of control of filter cut-off/centre frequency by Oscillator 3*
Ns>FiltF
Degree of control of filter cut-off/centre frequency by noise source*
FfreqSep
Difference between the frequencies of two filters when used in
combination
* Note that only positive values of Depth are effective for the FM options; all negative values are
considered as zero.
FX Modulation Matrix – sources
The table below lists the sources of modulation available to Inputs A and B of each Slot in
the FX Modulation Matrix.
Display Controlling Source
Direct
The Depth control ([10]; select Row 4)
ModWheel
Mod Wheel
AftTouch
Keyboard aftertouch
ExprPED1
Expression pedal connected at PEDAL 1 input
BrthPED2
Expression pedal connected at PEDAL 2 input
Velocity
Keyboard velocity
Keyboard
Key position on keyboard
Animate1
Animate Button 1
Animate2
Animate Button 2
CV +/-
CV input varies controlled parameter both positively and negatively
Lfo 3 +
LFO 3 waveform varies controlled parameter in a positive sense
Lfo 3 +/-
LFO 3 waveform varies controlled parameter both positively and
negatively
Lfo 4 +
LFO 4 waveform varies controlled parameter in a positive sense
Lfo 4 +/-
LFO 4 waveform varies controlled parameter both positively and
negatively
BndWhl+
Pitch Bend wheel up: increases parameter
BndWhl-
Pitch Bend wheel up: decreases parameter
FX Modulation Matrix – destinations
The table below lists the destinations to which each Slot of the FX Modulation Matrix may
be routed.
Display Controlled Parameter
Dist Lev
Distortion Level
Chor Lev
Chorus Level
ChorRate
Chorus Rate
Chor Dep
Chorus Depth
Chor FB
Chorus Feedback
Del Lev
Delay Level
D el Tim e
Delay Time
Del FB
Delay Feedback
Rev Lev
Reverb Level
R ev Tim e
Reverb Time
Rev LPF
Reverb Low Pass
Rev HPF
Reverb High Pass