3.
Tape-in for Rough Remix
MIC IN
1x01
EFFECTS RCV
EFFECTS RCV
EFFECTS RCV
EFFECTS RCV
EXPANDER INPUT
I
2
3
4
When the INPUT select switches on the modules
are set to the center position, the
submaster
TAPE IN jacks are internally connected to the
input modules. Selecting this remix position on
the input module will not disable the
norma1
operation of the monitor. Signal will go to both
circuits
at
the same time, allowing separate use
of the monitor outputs as extra mixes. True
stereo echo is an obvious first choice, and the
mixdown
machine can be monitored using the
AUX IN position on the
contro1 room monitor
module.
Since the remix position can be selected
one module
at
a
time,
a
single track may be
equalized and monitored without disturbing
AUX OUT
1x41
TAPE
l
N
11-41
CUE OUT
11 Il
EFFECTS SEND
111 I
TAPE IN
15-81
mix
to
2
track
MIC
IN settings on the whole mix. A decision
can be made quickly on the artistic success or
failure of an
individua1 part without the need to
place the entire console in remix mode just to
see the effect of corrective equalization on
a
single track. Since the TAPE IN jacks on the
buss master moduels actually feeds
3
separate
mixing positions
it
will present a more severe
load to anything connected to
it
than "Line in"
on the module. TAPE
IN'S have an input load
impedance of 20k ohms and LINE IN'S (on the
input module)
have an input impedance of 50k
ohms.