Chapter 4—Parts
To access the Parameters described on this page (unless otherwise noted):
press the Params button, turn the Parameter knob to locate the parameter,
and then turn the Value knob to change the parameter's setting.
ENSONIQ MR-Rack Musician’s Manual 19
2
.
P
r
e
ss
t
h
e
P
a
r
a
m
s
b
u
tt
o
n
.
3
.
T
u
r
n
t
h
e
P
a
r
a
m
e
t
e
r
k
n
o
b
u
n
t
il
t
h
e
d
i
s
p
l
a
y
s
h
o
w
s
“
P
a
n
=
.
”
T
h
e
P
a
n
P
a
r
t
p
a
r
a
m
e
t
e
r
c
a
n
b
e
s
e
t
f
r
o
m
-
64
(
h
a
r
d
l
e
f
t
)
t
o
+
63
(
h
a
r
d
r
i
g
h
t
)
.
4
.
T
u
r
n
t
h
e
V
a
l
u
e
k
n
o
b
t
o
s
e
l
ec
t
a
l
o
c
a
t
i
o
n
w
i
t
h
i
n
t
h
e
s
t
e
r
e
o
f
i
e
l
d
f
o
r
t
h
e
p
a
r
t
,
o
r
t
r
a
n
s
m
i
t
M
I
D
I
C
o
n
t
r
o
ll
e
r
#
10
v
a
l
u
e
s
t
o
t
h
e
M
R
-
R
a
c
k
.
T
h
e
M
R
-
R
a
c
k
’
s
d
i
s
p
l
a
y
w
ill
r
e
f
l
ec
t
P
a
r
t
P
a
n
c
h
a
n
g
e
s
m
a
d
e
v
i
a
M
I
D
I
j
u
s
t
a
s
i
f
y
o
u
’
d
m
a
d
e
t
h
e
m
f
r
o
m
t
h
e
f
r
o
n
t
p
a
n
e
l
.
When this parameter is edited on a Part that uses a Drum Kit, all of the Sounds in the
Drum Kit are affected simultaneously by the changes you make.
A dding Ef f e c ts t o P ar t Sounds
E
v
e
r
y
M
R
-
R
a
c
k
P
e
r
f
o
r
m
a
n
ce
c
o
n
t
a
i
n
s
t
h
r
ee
E
ff
ec
t
s
:
•
a
s
t
e
r
e
o
I
n
s
e
r
t
E
ff
ec
t
•
a
s
t
e
r
e
o
G
l
o
b
a
l
C
h
o
r
u
s
•
a
s
t
e
r
e
o
G
l
o
b
a
l
R
e
v
e
r
b
Y
o
u
’
ll
f
i
n
d
a
d
e
t
a
il
e
d
d
e
s
c
r
i
p
t
i
o
n
o
f
t
h
e
M
R
-
R
a
c
k
E
ff
ec
t
s
i
n
C
h
a
pter
5
.
P
a
r
t
s
m
a
y
b
e
r
o
u
t
e
d
t
o
a
n
y
o
f
t
h
e
s
e
E
ff
ec
t
s
,
o
r
l
e
f
t
d
r
y
.
T
o
s
e
n
d
a
P
a
r
t
’
s
S
o
u
n
d
t
o
a
n
E
ff
ec
t
,
t
h
e
P
a
r
t
m
u
s
t
b
e
a
ss
i
g
n
e
d
t
o
a
n
E
ff
ec
t
b
u
s
.
T
h
e
r
e
a
r
e
s
i
x
p
o
ss
i
b
l
e
b
u
ss
e
s
,
n
a
m
e
d
f
o
r
t
h
e
E
ff
ec
t
t
h
e
y
a
cce
ss
.
Y
o
u
c
a
n
s
e
l
ec
t
:
•
I
n
s
e
r
t
—
t
o
s
e
n
d
a
P
a
r
t
t
o
t
h
e
P
e
r
f
o
r
m
a
n
ce
’
s
I
n
s
e
r
t
E
ff
ec
t
.
•
C
h
o
r
u
s
—
t
o
s
e
n
d
a
P
a
r
t
t
h
r
o
u
g
h
t
h
e
G
l
o
b
a
l
C
h
o
r
u
s
.
•
L
i
g
h
t
R
e
v
e
r
b
—
t
o
a
dd
a
m
i
n
i
m
a
l
a
m
o
u
n
t
o
f
G
l
o
b
a
l
R
e
v
e
r
b
t
o
a
P
a
r
t
’
s
S
o
u
n
d
.
•
M
e
d
i
u
m
R
e
v
e
r
b
—
t
o
a
dd
a
g
r
e
a
t
e
r
a
m
o
u
n
t
o
f
G
l
o
b
a
l
R
e
v
e
r
b
t
o
a
P
a
r
t
’
s
S
o
u
n
d
.
•
W
e
t
R
e
v
e
r
b
—
t
o
a
dd
a
l
a
r
g
e
a
m
o
u
n
t
o
f
G
l
o
b
a
l
R
e
v
e
r
b
t
o
a
P
a
r
t
’
s
S
o
u
n
d
.
•
D
r
y
—
f
o
r
P
a
r
t
s
t
h
a
t
y
o
u
d
o
n
’
t
w
a
n
t
t
o
s
e
n
d
t
h
r
o
u
g
h
a
n
y
o
f
t
h
e
E
ff
ec
t
s
.
Tip:
W
h
e
n
a
s
t
a
n
d
a
r
d
S
o
u
n
d
(
n
o
t
a
D
r
u
m
K
i
t
)
i
s
a
ss
i
g
n
e
d
t
o
a
P
a
r
t
,
r
e
p
e
a
t
e
d
l
y
p
r
e
ss
i
n
g
t
h
e
P
a
r
a
m
s
b
u
tt
o
n
w
ill
t
o
gg
l
e
b
e
t
w
ee
n
t
h
i
s
p
a
r
a
m
e
t
e
r
a
n
d
t
h
e
P
a
r
t
M
I
D
I
C
h
a
nn
e
l
p
a
r
a
m
e
t
e
r
.
The following parameter is not present when the Part being edited uses a Drum Kit.
To Route a Part to an Effect
1
.
U
s
e
t
h
e
S
e
l
ec
t
P
a
r
t
b
u
tt
o
n
s
t
o
c
h
oo
s
e
t
h
e
P
a
r
t
y
o
u
’
d
li
k
e
t
o
r
o
u
t
e
t
o
a
n
E
ff
ec
t
.
2
.
P
r
e
ss
t
h
e
P
a
r
a
m
s
b
u
tt
o
n
.
3
.
T
u
r
n
t
h
e
P
a
r
a
m
e
t
e
r
k
n
o
b
u
n
t
il
t
h
e
d
i
s
p
l
a
y
s
h
o
w
s
“
F
X
B
u
s
=
.
”
4
.
U
s
e
t
h
e
V
a
l
u
e
k
n
o
b
t
o
s
e
l
ec
t
I
n
s
e
r
t
,
C
h
o
r
u
s
,
L
i
g
h
t
R
e
v
e
r
b
,
M
e
d
i
u
m
R
e
v
e
r
b
,
W
e
t
R
e
v
e
r
b
,
o
r
D
r
y
.
Routing a Non-Insert Control Part to an FX Bus via MIDI
P
a
r
t
t
h
a
t
a
r
e
n
o
t
d
e
s
i
g
n
a
t
e
d
a
s
t
h
e
I
n
s
e
r
t
C
o
n
t
r
o
l
P
a
r
t
c
a
n
b
e
a
ss
i
g
n
e
d
t
o
t
h
e
C
h
o
r
u
s
b
u
s
,
o
n
e
o
f
t
h
e
R
e
v
e
r
b
b
u
ss
e
s
o
r
t
h
e
D
r
y
b
u
s
v
i
a
M
I
D
I
.
I
f
s
u
c
h
a
P
a
r
t
r
ece
i
v
e
s
M
I
D
I
c
o
n
t
r
o
ll
e
r
93
w
i
t
h
a
v
a
l
u
e
o
f
1
o
r
h
i
g
h
e
r
,
i
t
w
ill
b
e
a
ss
i
g
n
e
d
t
o
t
h
e
C
h
o
r
u
s
F
X
b
u
s
.
I
f
t
h
e
P
a
r
t
r
ece
i
v
e
s
M
I
D
I
c
o
n
t
r
o
ll
e
r
93
w
i
t
h
a
z
e
r
o
v
a
l
u
e
,
i
t
w
ill
b
e
a
ss
i
g
n
e
d
t
o
o
n
e
o
f
t
h
e
R
e
v
e
r
b
b
u
ss
e
s
o
r
t
h
e
D
r
y
b
u
s
,
a
cc
o
r
d
i
n
g
t
o
t
h
e
f
o
ll
o
w
i
n
g
s
c
h
e
m
e
:
•
I
f
t
h
e
P
a
r
t
r
ece
i
v
e
s
a
C
o
n
t
r
o
ll
e
r
91
v
a
l
u
e
o
f
0
,
i
t
w
ill
b
e
a
ss
i
g
n
e
d
t
o
t
h
e
D
r
y
b
u
s
.
To Next Page
Loading...
