Section 7 — Effect Parameters TS-12 Musician’s Manual
10
LEVEL Range: 00 to 99
Adjusts the volume of the slapback (internal dry) signal. A value of 00 would eliminate audible
slapback.
TRIG THRESH Range: -96 to +00 dB
Set this parameter as low as possible to work with your particular sound source. To eliminate
false triggering, it should not be set too low. When the input signal rises above this threshold, the
reverse envelope will begin.
40 REVERSE REVERB 2
REVERSE REVERB 2 is identical to REVERSE REVERB, except this algorithm will retrigger by an
assigned input signal level (threshold) determined by the user. Once triggered, the reverse
envelope will proceed to completion, unless retriggered by subsequent input signals. If you are
looking for a reverse effect that will not retrigger, try using the previous reverse reverb
algorithm. The FX-1 and FX-2 MIX parameters are used to select different Dry/Wet mixes.
HF DAMPING Range: 00 to 99
This parameter sounds best when set to low values. Its function is to filter out more and more
high-frequency energy. For the most natural sounding reverse effect, we recommend a setting of
00.
DEFINITION Range: 00 to 99
DEFINITION controls the rate at which echo density is increased with time. If set too high, the
echo density will build at a rate that exceeds the decay rate. This can be used for a special effect.
DIFFUSION-1 Range: 00 to 99
DIFFUSION-1 smears the input signal making a smoother sounding reverb. Controls the high-
frequency ranges. For percussion sounds, high values are recommended.
DIFFUSION-2 Range: 00 to 99
Similar to and in series with DIFFUSION-1, this parameter controls lower-frequency ranges.
ATTACK Range: 1 msec to 10.0 sec
This parameter sets the duration over which the reverb builds. It is recommended that you set
this value less than the HOLD time.
HOLD Range: 1 msec to 10.0 sec
Controls the amount of time that the reverse will sound after it has been triggered. Rule of
thumb: don’t set the HOLD time much longer than the ATTACK time.
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