TS-12 Musician’s Manual Section 7 — Effect Parameters
11
RELEASE Range: 1 msec to 10.0 sec
Determines the RELEASE time after the HOLD time has elapsed. Generally this time is very
short. Lower values offer an abrupt cutoff.
PRE-TRIG TIME Range: 0000 to 0530 msec
Used to capture transients that occur before the trigger. This parameter is critical to the sound
quality. You can determine how much pretrigger sound will be injected into the reverse reverb
tank.
TRIG THRESH Range: -96 to +00 dB
Set this parameter as low as possible to work with your particular sound source. To eliminate
false triggering, it should not be set too low. When the input signal rises above this threshold, the
reverse envelope will begin.
41 STEREO DELAY + DELAY
Two independent professional quality stereo digital delays. Both FX-1 and FX-2 can have
different Mix, Feedback, and Delay Time settings.
EFFECT MIX FX-1 (and 2) DDL Ranges: 00 to 99
Controls the mix between the original signal and each delay. Setting these parameters to 00 will
allow only the unprocessed signal to be heard, while a setting of 99 will eliminate it completely,
with only the delay portion remaining.
D-1 (and 2) REGEN Range: 00 to 99
Determines the amount of signal that will be fed from the output of each delay back into the
input, increasing the number of repeats in the delay.
D-1 (and 2) TIME (L and R) D-1 (L and R) Ranges: 0000 to 2000
D-2 (L and R) Ranges: 0000 to 0150
Determines the amount of time between delays. Each value increases the delay time by 1
millisecond. The Left and Right channels are independently adjustable.
42 MULTITAP DELAY
MULTITAP DELAY produces four independent controllable delays. The EFFECT MIX FX-1 and
FX-2 parameters can be routed into the effect with different dry/wet mixes. This algorithm
sounds best with a mix of wet and dry.
DELAY-1 TIME Range: 0000 to 2201 msec
Sets the amount of delay time for the independent delays. Experiment with different settings to
find the right mix for your sound source and application. Some interesting effects can be
implemented by using a real-time modulation controller for these parameters.
LEVEL Range: 00 to 99
Adjusts the volume of the delayed signals against the original dry signal. A level of 00 will offer
no audible delay.
REGEN Range: 00 to 99
Determines the amount of signal that will be fed from the output back into the input, increasing
the number of repeats in the delays. A setting of 99 would offer an infinite delay.
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