TS-12 Musician’s Manual Section 7 — Effect Parameters
13
DELAY INPUT R Range: OFF or ON
Disables the input into the right side delay line. The right delay line will still get input from the
CROSS REGEN. This allows a ping-pong delay effect.
OUTPUT LEVEL R Range: 00 to 99
Controls the right output signal level.
DELAY - REGEN Range: -99 to +99
Controls the amount of regen (regeneration) applied to the delay time taps. The sign of the value
determines the polarity of the regen.
TIME L Range: 0000 to 0845 msec
Determines the amount of time between the input signal and the left delay output.
TIME R Range: 0000 to 0845 msec
Determines the amount of time between the input signal and the right delay output. Set this
differently from the left delay time to achieve dotted 1/8th note type effects.
CROSS REGEN Range: -99 to +99
Allows you to feedback the delayed signals to their opposite sides; the left voice crosses to the
right voice, and the right voice crosses to the left voice. A setting of +99 or -99 will cause infinite
delay. Be careful, if the delay regen is set too high, it may cause this parameter to “blow up.”
REGEN DAMPING Range: 00 to 99
Adjusts the cutoff of a low pass filter on the feedback signal, which controls the amount of
damping to the feedback signals. The higher the number, the more the signals are damped.
EQ TRIM Range: -24 to +00 dB
Allows you to adjust the input volume of the EQs to eliminate the possibility of clipping boosted
signals.
BASS FC Range: 0000 to 1000 Hz
Sets the cutoff-frequency of the lower-frequency band shelving filter.
LEVEL Range: -48 to +24 dB
Sets the amount of boost or cut applied to the low shelving filter.
TREBLE FC Range: 01KHz to 15KHz
Sets the cutoff-frequency of the high shelving filter.
LEVEL Range: -48 to +24 dB
Sets the amount of boost or cut applied to the high shelving filter.
44 EIGHT VOICE CHORUS
EIGHT VOICE CHORUS offers a symphonic chorused sound having eight different voices and
using eight separately randomized LFOs. This algorithm also offers a user programmable stereo
delay in a cross coupled configuration between the left and right chorused outputs (see diagram).
This algorithm is good for creating an ensemble of instruments from single sources (there is no
internal filtering applied to any of the chorused voices). The EFFECT MIX FX-1 and FX-2
CHORUS parameters can be routed into the effect with different Dry/Wet mixes. For this
algorithm we recommend a mix of around 50 for a starting point.
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