2–1: Pitch
61
Combination Edit P2
2–1: Pitch
Here you can make settings for pitch and scale.
2–1a: Scale
Selects the scale used by the combination.
Type (Scale Type) [Equal Temperament…All Range User Scale]
Selects the scale type. For details refer to Program Edit mode “1–1: Program Basic” (
☞
page 5 in
this manual).
Key (Scale Key) [C…B]
Specifies the tonic of the selected scale.
Random [0…7]
Higher settings of this value will produce increasing irregularity in the pitch when a note is
sounded. This is useful when you wish to simulate instruments that have natural instability in the
pitch, such as analog synthesizers or acoustic instruments. Normally you will set this to 0.
2–1b: Use Program’s Scale
Specifies the scale used by each timbre 1–8.
If this is
checked
, each program will use its own scale as specified in Program Edit mode “1–1:
Program Basic” (
☞
page 5 in this manual).
If this is
un-checked
, the combination scale specified in “2–1a: Scale” will be used.
2–1c: Transpose [–24…+24]
Adjusts the pitch of timbres 1–8 in chromatic steps. A setting of
12
equals one octave.
If “1–1d: Timbre Mode” is INT, the pitch sounded by the TRINITY will be affected. If “1–1d: Tim-
bre Mode” is EXT, the note number of the MIDI Note message that is transmitted will change.
For example if two timbres set to EXT are given settings of +4 and +7, playing a C note on the key-
board will cause E and G (on the MIDI channels of each timbre) to simultaneously be transmitted
in addition to C (on the Global MIDI channel).
2–1d: Detune [–99…+99]
Adjusts the pitch in steps of 1 cent from the normal pitch.
With a setting of
0
, the pitch will be normal.
As this value is increased, the pitch will deviate from the normal pitch.
Page Menu
2–1a
Timbre No.
2–1b
2–1c
2–1d
2–1e
2–1A
Data for the
selected timbre
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