Wave Sequencing 2.0
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BebopDominant C C D E E F G G A A A# B
Flamenco C C# C# E E F G G G# G# B B
Romani C C D D# D# F# F# G G# G# A# A#
HungarianMinor C C D D# D# F# F# G G# G# B B
Persian C C# C# E E F F# F# G# G# B B
Harmonics C C D# D# E F G G G A A A
Acoustic C C D E E F# F# G A A A# A#
Enigmatic C C# C# E E F# F# G# G# A# B B
Pitch Lane Step
Transpose
[-24…+24 semitones]
is osets the played note by up to two octaves, up or down. is also aects the index into the Multisample map,
potentially changing the sample selection, similar to transposing the entire keyboard.
Tune
[-12.00…+12.00 semitones]
is changes the tuning by up to one octave up or down. It does not aect the Multisample map.
Probability
See “Step Probability” on page 31.
Shape
e Shape Lane creates a contour over the duration of the step. It can aect volume (when Shape Controls Volume is
On) and/or the Pitch or Step Sequencer Lanes (when the respective Lane’s Use Shape is On).
Shape Lane
Preset, Start, End, Loop Start, Loop End, Repeats
See “Standard Lane Controls” on page 30.
Shape Controls Volume
[O, On]
O: Shape does not aect the Wave Sequence volume.
On: Shape directly controls the Wave Sequence volume.
Shape Lane Step
Shape
[List of shapes]
ere are a large number of shapes to choose from, including ones with two, three, or four pulses.
Oset
[-1.00…+1.00]
is shis the entire shape up or down. It works slightly dierently from Mod Processor “Oset,” in that the Oset is
added to the shape, and then the result is scaled by the Level, below. For instance, if you want Shape to control volume,
but don’t want the volume to drop all the way to silence, set Oset to +1.00 and Level to +0.50.
Level
[-2.00…+2.00]
is varies the amplitude of the Shape. Negative values invert the shape.