Great stuff for either a mono or stereo guitar. Machine B should get a very strong, if not a total, pre-fade signal.
MchA EA:802 Guitar Shift This preset offers e moderate amount of micropitch shiftkl4c), along with a small amount of
recirculating predeiay. Raunchy sounding on beefy” guitars.
MchB EB:614 EnwPeakThis preset is similar to an OverTheTop type of effect, except the flange delay is patched to the
meter balistics. Depending on the dynamics of your guitar playing, you may wish to adjust the scaling parameter which is
found in the Mod Edit p&h.
This preset uses two effects which have meter ballistics patched to the flange glide delays, with atwist:the Machine A Mod
Edit patch gets its modulation information from the R-meter: the Machine B flange glide Mod patch is specified to modulate
from the ballistics of the L-meter. One input modulates the other-A T-shirt to the,engineer who gets the most creative.
MchA EP514 Env:Peak This preset is similar to en OverTheTop type effect except the flange delay is patched to meter
ballistics. Some modification of the scaling parameter in the Mod Edit patch mey be nessessary to suit Machine S ballistics.
MchB EP:608 Env:Phazer This preset makes use of a patch between the L-Meterand the flange glide delay. As signal
becomes stronger, the glide delay drops in the time domain, eventually crossing the 5.2”s base delays. As audio signal
strength lessens, the glide returns to its preset value of 10”s. Very good on vocals. To make this effect work properly, be
sure to drive the 300 to within 12dB of full scale (dBfs). Remember, in this setup the effects are reversedfmm the meter
ba//isfics which drive them. Good Luck!!!
ThisisatrueDualMonoSetup.TheSetupLFOissettoO.6Hzw~hatrianglewaveform.ltdrivestheflangeg~idedeiay(FDLY)
in Machine A.
MchA EA:615 NegativeFlng This is a really stiff flange which goes almost 20”s deep. Flange gain is set extremely
negative, so the sound is tunnel-like.
MchB EB:60’2 Space Delays This preset incorporates a bit of multi-diffused delays along with some small delay offsets
between the pxt delay outputs. If the effect is too strong, try lowering feedback levels for delays 3 and 4. You mey hear e
kind of resonant ‘?uning* to the return signal. This is because the flange delay has gain (LFLG and RFLG) in the circuit, but
it is not patched to the LFO. It just stays in its preset location at 8.6ms. If you want to change the ‘Wning,” adjust flange glide
(FDLY) in Effect Edit mode to another value.
TheSoftknobpererneteraffectsthe delayspacing in both Machine effect presets. IncreasingtheSoft knobpe.remetervalue
will make each delay effect longer and longer; decreasing it will make each delay effect sho!Ver. The Soft knob value is set
to 12 when the setup is selected.
MchA EA:604*3Voice DlyeTwotaps (Delays 3 and 4) ares&with delay ratiosof t:2, meaningthat, whenone isZOOms,
the other is 4OOms, or when one is 359, the other is 719ms. This relationship is patched to the Soft knob pererneter in Setup
Select mode.
MchB EB:603~PingoPongoPing-Pongdelaysbouncingbackandfo~h.TheSo~knobcontroisthetimingofthebounce.
5-11
To Next Page
Loading...
