ZOO V 3.0 Ovmer’s Manuel
LeXkZoll
Split Setup For your reference, all of the presets effects available in the split mode are listed
Effect Descriptions
and described below, in numerical order.
Iual Delays
Baseline effect with the Soft knob patched to the ikt two delay lines
in the signal path. Advancing the Soft knob parameter will cause the
two post&lays to move in sync out to more than 22OOms.
Iual Delays
This preset incorporates a bii of left-right diffused delay along with
some small delay offset between left and right delay outputs. i? the
effect is,too str!ng you could try turning back the feedback levels for
Delays 3 and 4.
Iual Delays
Ping - Pang delays bouncing back and forth. The Soft knob
parameter controls the timing of the bounce.
luai Delays
Two taps (Delay 3 and 4 ) are set with delay ratios of 1:2 -
meaning when one is 2OOms the other is 4OOms. or when one is 359
the other is 718111s. This relationship is patched to the Soft knob.
Dual Delays
This preset should be used pretty much through the box, i.e. send it
a pm-fader signal then mix only the returns. Flange Delay is
patched to the LFO. When properly modulated, the flange delay
glides between 9.5 and 18.7ms. The base delays are set to 1 Oms
with a positive feedback gain. Over the top cancellation ouxrs as
the glide delay passes over the 1Oms base delay. Remember, the
LFO is patt of the Setup, so a you load the effect into a Setup where
there is no LFO activtiy, the preset will sound “hollow” and resonant!
Similar to OverTheTopl except the flange delay glides between
0.08 and 10.7ms. Flange Delay is patched to the LFO. The base
delays are set to 1Oms with a negative s.mplRier gain. Over the top
cancellation occurs as the glide delay passes over the 1Oms base
delay. The channel outputs are reversed such that the left input will
pess through to the right output and vice+ersa. Remember, the
LFO is part of the Setup, so if you load the effect into a Setup where
there is no LFO activity, the preset will sound “hollow” and resonant!
)ual Delays Faze Dlys also makes use of the LFO again to the Flange Glide
Delay (FGLD). The base delays are set in different time domains;
one side at 1.9ms with a feedfofward gain and the other at 5.6 with
a negative feed gain. As the glide passes over each base delay the
phase of each gain is changed and in between the output is a
mixture of each. A great effect on a ripping guitar solo.
)ual Delays
This preset makes use of a patch between the envelope detector in
the meters and the Flange Glide Delay. As signal becomes
stronger the glide delay drops in time domain eventually crossing
the 5.2 ms base delays. As audio signal strength lessens the glide
returns to tis preset value of 1Oms. Very good on vo@Js. To make
this effect work properly be sue to drive the 300 to within 12dB 01
full scale (dBfs).
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