Thii Setup is a variation of the ooe above, except that it’s a shorter “close in” effect. There is also a different twiit to thii
Setup preset - L-Meter ballistics are patched to the AMlX Setup parameter. As the signal becomes stronger, AMlX
becomes progressively dryer, allowing more of the input signal to pass directly into the chorus effect. The LFO is set to
1.96Hz with a triangle waveform. It controls the speed of the Glide in Machine B.
MchA EAz706Big &ShortThisreverbeffectisshort,aimostgated. Big roomsizesetto54.6M,andRtsettoO.3seconds.
This preset really “opens up a sparse track.
MchB EB:609 Chorus This preset makes we of a small variation in the glide delay to modulate the sound. The glide
movesbetween9.7msandl l.9ms.AdvancingtheLFOtovaiuesnee~l.5OHzto2.OHzyieldsani~chorusingeffe~.There
are no other delay, lines, but the output lines are channelavappe,d such that the left @put passes to the right output, and
vice-versa.
Use pre-fade. Oneflangerfeedsthe next. Very heavy duty. The input gain to the Setup is set to -4dB. This isto compensate
forthe heavyamountof flangegain in both Machines.SincetheLFOisinthesetupdomain, *drives bothflangeglidedelays
in each Machine. !Remembertheoutputs ofOverJhe JopZarereversed, sodoo’t driveyourse!fcrazy tryingfo findreverse
patch cords!
MohA EA:605 OverTheTopl This preset should be used pretty much through the box, i.e. patched to the LFO. When
properly modulated, the flange delay glides behveen 9.5ms and l6.7ms. The base delays are set to 1 Oms v&h a pacie
feedback gain. Over the top cancellation occurs as the glide delay passes overthe 1 Oms base delay.
MchB EB:606 OverlheTop.2
Similarto OverTheTopl, except the flange delay glides behveen 0.06 ms and 10.7ms. This flange delay is patched to the
LFO. Basedelays are setto IOmswith a negativeamplifiergain. Overthe topcancellation occurs astheglide delay passes
overthe 1 Gms base delay. The channeloutputs are reversedsuch that the /Hi input w/f/ pass through to the right output
and vke-versa.
GuitarXP incorporates a left/right panning effect in Machine A into a modulating glide effect with added delays. The LFO
(set to 0.2OHz with a triangle waveform) ties it all together. Here’re some suggestions: add some extra LDLY (Left delay)
and RDLY (Right delay) to Machine B in Effect Edit. Go back to Setup Edit,and reduce BMIX to less than the preset 100%
-say, to something like 46%, find the Cascade feedback parameter and add a sma// amount of feedback gain, either
positive or negative, then store it all in a Setup Register.
MthA EA:611 LFO:Pan&Faze This cool wavy preset should be run pre-fader wi?h the Setup LFC at about .2OH.z. With
a mono or stereosignal attached to both inputs, the acoustic effect is a slow rotation in phase. Thank goodness for CD’s,
No record cutting lathe could handle this one. Clean compressed guitars are the best here.
h!ohB EB:607 LFOzFazeIXys Faze Dlys makes use of the LFO patched to the Flange Glide D&y(FDLY). The base
delays ere set in different time domains: one side at 1.9ms with a feedforward gain; the other at 5.6 with a negative feed
gain. As the Glide passes over each base delay, the phase of each gain is changed. In between, the output is a mixture
of each. A great effect on a ripping guitar solo,
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