MELBOURNE INSTRUMENTS NINA - Page 25

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MELBOURNE INSTRUMENTS – NINA V 1.3.0
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MELBOURNE INSTRUMENTS – NINA V 1.3.0
Appendix C:
Technical Specications
Polyphony & Multi-Timbres
12 Voices Polyphonic
4 part multi-timbral.
Independent voice routing to main (1 & 2)
and/or Aux (3 & 4) outputs
Voices
2 Analog VCOs with variable triangle/sawtooth shape. Pulse
and Triangle/Sawtooth outputs.
Hard Sync and Sub Oscillator Operation for Analog VCOs
1 Analog XOR pulse ring-modulator
1 Digital Wavetable. Wavetables from 1-256 waveforms. User
loadable.
Fine & Course tune control. 8 octave range.
1 Digital Noise source
External Audio feed In.
Main output audio feedback into voices.
2 ADSR Envelopes with traditional slopes and fast attack
Low Pass transistor ladder lter 24dB/oct with Resonance.
VCF Overdrive circuit
2 digital LFOs. 6 waveform shapes.
Stereo VCAs, four-quadrant (through zero) VCA with Stereo
Innite Panning
Modulation matrix
16 sources to 27 destinations. No slot count limitation.
Modulation amounts bipolar (through zero).
Morph continuous between 2 patches.
Morphable modulation settings.
Digital Eects
1 Digital Eects unit on main mix output to Line Outputs 1 and 2
Stereo Reverb, Delay or Chorus
96kHz, 24 bit processing.
Arpeggiator
Directions: up, down, up-down, random, assigned
Hold function.
Timing divisions 1/4, 1/8, 1/16, 1/4T, 1/8T, 1/16T
Memory
Up to 16,129 Presets arranged in 127 Banks of 127 Presets.
User import and export to USB media.
127 Multi-timbral layer setups.
User import and export to USB media.
128 Wavetables.
Import and Export in WAV format to USB media.
CV Inputs
4 Analog inputs may be line or CV
Electrical
Line Level Inputs: 1/4” TRS. 56k Ohm. Unbalanced 13dBu.
Balanced 19dBu
CV Inputs: 1/4” TS Unbalanced: 0 to 10V; -5 to 5V; 0 to 5V;
-10V to 10V
Mic Input: XLR Balanced. 2400 Ohm. +30 to +50 dB gain.
Line Out 1 & 2: 1/4” TRS pseudo-balanced*. 120 Ohm.
8.2dBu (nom). Attenuated with Main potentiometer, digital
Eects summed.
Line Out 3 & 4: 1/4” TRS pseudo-balanced*. 120 Ohm.
8.2dBu (nom). No eects or attenuation.
2 USB-A 3.0/2.0 host connection. 5V/500mA
1 USB-C 2.0 device connection. MIDI USB class-compliant
device.
1 DIN MIDI In + MIDI Out + MIDI Through
1 DC IN 12V. 12V, 8A AC/DC adapter supplied
Power: 30W (nominal), 70W (peak).
Operating Ambient Temperature: 0-40 C°
Mechanical
Weight: 5.5kg (12lb)
Dimensions: 446mm x 230mm x 71mm (17.6” x 9.1” x 2.8”).
19” rack mount ears included
854px x 480px 2.95” LED backlit LCD
Arpeggiator
Directions: up, down, up-down, random, assigned
Hold function.
Timing divisions 1/4, 1/8, 1/16, 1/4T, 1/8T, 1/16T
Appendix B:
Wavetables
The wavetables are stored in WAV le format. Each
waveform is encoded in 2048 samples, and there can be
from 1 to 256 waveforms.
The bit depth of the WAV le may be 16 or 24 bit.
The waveform’s 2048 samples is usually just one cycle
of the waveform. Nina assumes this, and the waveform is
automatically resampled to the pitch of the notes played.
NOTE: The maximum number of wavetables you can
load at one time is 127. This includes factory loaded
wavetables. When adding new wavetables, ensure that
your new set + factory wavetables combined does not
exceed 127. To make space for new wavetables use the
Wavetable Management feature (page 42) to scan and
remove unused wavetables