TYPICAL SETUPS
26
Three-way: Split to Multiple Amps
Drive Pedals
Send
Return
Send
Return
Send
Return
Send
Return
Loop 1Loop 2Loop 3Loop 4
TAP TEMPO
EDIT PARAMETER B EDIT PARAMETER C SELECT PAGE
EDIT PARAMETER A
GAIN ADJUST
HOLD TO STORE HOLD TO STORE HOLD TO STORE HOLDTO STOREHOLD TO STORE
PRESETABLE BOOST LEVEL
LEVEL SET
EDITA EDIT B EDIT C
GLOBALTEMPO
FORMANT | WAH | EFFECT FILTERS COMPRESSOR ALGORITHM
MODEMENU
WHAMMY | PITCH ALGORITHMCHORUS | FLANGER | TREMOLO
| RETURNENTER
HI-CLASS | TAPE ECHO | DYNAMIC REVERBALGORITHM
INPUT DAMP
EDITED
COM FLT PIT DLY REV
E1: E2: E3: E4: E5:
INTEGRATEDEFFECTS
+MANAGEMENT
FILTER LOOP LOOP LOOP EDIT123COMP
UP
DOWN
MOD PITCH DELAY REVERB BOOST
ENCODER ENCODER ENCODER ENCODER ENCODER ENCODER
Expression Pedal
Expression/Volume Pedal
Combo amp
INPUT OR EFFETCTS RETURN
Out Insert
Guitar
Input
Combo amp
INPUT OR EFFETCTS RETURN
Combo amp
INPUT OR EFFETCTS RETURN
Send
Return
CENTER
RIGHT
LEFT
PUSH
BOOST ON
vintage pre-drive
BOOST ON
vintage pre-drive
BOOST ON
vintage pre-drive
In this particular setup, the center amp is receiving the
dry signal only – i.e, with no effects apart from those
added via the active pedals in Loops 1 to 4.
The left and right amplifiers receive only the effects.
On all G-System presets, “Mix” must be set to 100%.
In this particular setup, the mix of the effects is set solely
using each effect’s Out level parameter.