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Global edit environment
Page 5 - MIDI Controls
Note: After selecting a MIDI Setup, you can apply any
changes to each channel’s settings. To store the changes in
memory, press WRITE and save the Global in memory.
See “MIDI” on page 35 for more information on using
the MIDI Setups.
Default This a default setting. It is suitable both for
programming on an external sequencer,
and for playing Liverpool with a master
keyboard.
Master Kbd Select this setting when you are connect-
ing a mute master keyboard.
Sequencer 1 This setting is for playing a Song
(Sequencer 1) with an external instrument
sounds, or for listening to a Song per-
formed by an external sequencer using
Liverpool as a sound generator. Each track
(S1 Tr1–16) corresponds to a MIDI channel
with the same number (1–16).
Sequencer 2 As above, but with Sequencer 2.
Accordion 1…3
Select one of these settings when connect-
ing a MIDI Accordion.
Ext.Seq This setting is for programming a Song on
an external sequencer.
PAGE 5 - MIDI CONTROLS
This page lets you program general MIDI parameters.
Local
The Local parameter turns the keyboard on or off.
Note: The Local parameter is always turned on again each
time you turn the instrument on.
On When you play on the keyboard, MIDI
data is sent to the internal sound genera-
tor and to the MIDI OUT port.
Off The keyboard is connected to the MIDI
OUT, but cannot play the internal sound
generator.
This is very useful when working with an
external sequencer, to send notes and con-
trollers from the keyboard to the external
sequencer, and then let the sequencer send
them back to the sound generator, without
overlapping. See the MIDI chapter.
Clock
This parameter selects the MIDI Clock source.
Note: The Clock parameter is always set to “Int” each time
you turn the instrument on.
Internal Internal, i.e. the clock generated by the
Liverpool Sequencer 1 internal metro-
nome.
MIDI External from MIDI. The Liverpool is
slaved to an external instrument or
sequencer, connected to its MIDI IN port.
The Start/Stop and Play/Stop commands,
and the metronome Tempo, cannot be
selected from the control panel of the Liv-
erpool. Use the external instrument to set
the Tempo, and start or stop the sequenc-
ers (Song, Song Play, Backing Sequence
modes) and the arranger (Style and Back-
ing Sequence modes).
Clock Send
This parameter turns the clock information on the
MIDI OUT on or off.
Off The Liverpool cannot send the MIDI
Clock signal. You cannot slave another
instrument to the Liverpool, even when
connected to the MIDI OUT.
MIDI The Liverpool can send the MIDI Clock
signal. You can slave another instrument
to the Liverpool Tempo, Start/Stop and
Play/Stop commands. Connect the other
instrument to the Liverpool MIDI OUT
port.
PAGE 6 - MIDI IN CHANNELS
In this page, you can assign the Liverpool tracks to any
of the MIDI IN channels. Use the TRACK SELECT but-
ton to switch from channels 1–8 to channels 9–16.
Channel
You can assign to each channel one of the following
tracks:
(Off) No track assigned.
Lower Lower track.
Upper1…3 One of the Upper tracks.
Drum Drum track.
Perc Percussion track.
Bass Bass track.
Acc1…5 One of the Auto-accompaniment tracks.
S1 T1…16 One of Sequencer 1 tracks.
S2 T1…16 One of Sequencer 2 tracks.
Global Special channel to simulate the Liverpool’s
integrated controls (keyboard, pedals, joy-
stick) with an external keyboard or con-
troller. MIDI messages coming on this
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