130
Global edit environment
Page 9 - MIDI IN Filters
PAGE 9 - MIDI IN FILTERS
Use this page to set up to 8 filters for the MIDI data
received by the Liverpool.
Filters
Selected MIDI IN filters.
Off No filter.
Pitch Bend Pitch Bend.
MonoTouch Mono (or Channel) After Touch.
PolyTouch Poly After Touch.
PrgChange Program Change.
SysExcl System Exclusive.
All CC All Control Change messages.
0…127 Control Change message #0…127. See
“MIDI Controllers” on page 230 for a list
of available Control Change messages.
PAGE 10 - MIDI OUT CHANNELS
In this page, you can assign to any MIDI OUT channel
one of Liverpool’s tracks. Use the TRACK SELECT but-
ton to switch from channels 1–8 to channels 9–16.
Channel
You can assign to each channel one of the following
tracks:
(Off) No track assigned.
Lower Lower track.
Upper1…3 One of the Upper tracks.
Drum Drum track.
Perc Percussion track.
Bass Bass track.
Acc1…5 One of the Auto-accompaniment tracks.
S1 T1…16 One of Sequencer 1 tracks.
S2 T1…16 One of Sequencer 2 tracks.
SQ Tr01…16 Use these channels to send data generated
by a track with the same name on either or
both onboard sequencers at the same time.
Chord Use this channel to send notes recognized
by the Chord Recognition engine to the
MIDI OUT. This is useful, for example, to
control an external Harmonizer from the
Liverpool, using the Lower track to play
chords, even if the track is in mute.
PAGE 11 - MIDI OUT FILTERS
Use this page to set up to 8 filters for the MIDI data sent
by the Liverpool.
Filters
Selected MIDI OUT filters.
Off No filter.
Pitch Bend Pitch Bend.
MonoTouch Mono (or Channel) After Touch.
PolyTouch Poly After Touch.
PrgChange Program Change.
SysExcl System Exclusive.
All CC All Control Change messages.
0…127 Control Change message #0…127. See
“MIDI Controllers” on page 230 for a list
of available Control Change messages.
To Next Page
Loading...
