Korg Liverpool - MIDI in Controls (1); MIDI in Controls (2)

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Global edit environment
Page 7 - MIDI IN Controls (1)
channel are considered as being generated
by Liverpool’s integrated controllers.
Control On this special channel, the Liverpool
receives MIDI messages to remotely select
Styles, Performances, STS and Style Ele-
ments. See tables on page 146 and follow-
ing for more information on the received
data
PAGE 7 - MIDI IN CONTROLS (1)
This page is where you can program the Chord Recog-
nition channels for the internal arranger, and a fixed
velocity value for all notes appearing at the input.
There are two separate Chord channels. This is very
useful when you must send chords to Liverpool on two
channels (like with some MIDI Accordions).
Chord1 channel
Notes entering this channel are sent to the Chord Rec-
ognition engine.
Chord2 channel
Notes entering this channel are sent to the Chord Rec-
ognition engine.
Velocity Input
Use this parameter to set a fixed velocity (dynamics)
value for all MIDI notes entering. This is useful when
playing the Liverpool with an organ or a MIDI Accor-
dion.
Normal Normal velocity values are received.
40…127 All received velocity values are converted
to the selected value.
PAGE 8 - MIDI IN CONTROLS (2)
This is another page containing various MIDI IN set-
tings, like note transposition for the Realtime tracks.
The transpose parameters are useful to many MIDI
accordion players, whose MIDI interface may transmit
on an unexpected octave.
UppOct (Upper Octave)
Octave transposition of data received on the MIDI IN
for the Upper tracks. For example, if you select the +1
value, a received C4 will play a C5 on the Liverpool.
LowOct (Lower Octave)
Octave transposition of data received on the MIDI IN
for the Lower track. For example, if you select the +1
value, a received C4 will play a C5 on the Liverpool.
OctIn (Octave In)
Enables/disables the octave transposition of data
received via MIDI.
On Data received via MIDI can be transposed,
according to the selected Octave Transpo-
sition. For example, if the Octave Transpo-
sition is +1, a received C4 will actually
play a C5.
Off Data received via MIDI can’t be trans-
posed by the Octave Transposition
applied to the track. For example, if the
Octave Transposition is +1, a received C4
will still play a C4.
Mute In
Use this parameter to determine if a muted track can
still play data received via MIDI.
On No data received via MIDI on a muted
track can be played by Liverpool.
Off Data received via MIDI on a muted track
can still play on the Liverpool.