214
064: Cmp-AmpSim
(Compressor – Amp Simulation)
This effect combines a mono-type compressor and an
amp simulation. You can change the order of the effect
connection.
065: Cmp-OD/HiG
(Compressor – Overdrive/Hi.Gain)
This effect combines a mono-type compressor and an
overdrive/high-gain distortion. You can change the
order of the effect connection.
a
[C] Sensitivity
Sets the sensitivity
1...100
→Fx:002
b
[C] Attack
Table , “Sets the attack level,” on page 178
1...100
→Fx:002
Output Level
Sets the compressor output level
0...100
→Fx:002
c
[C] EQ Trim
Table , “Sets the EQ input level,” on page 178
0...100
d
[C] Pre LEQ Gain [dB]
Table , “Sets the gain of Low EQ,” on page 178
–15...+15dB
Pre HEQ Gain [dB]
Table , “Sets the gain of High EQ,” on page 178
–15...+15dB
e
[A] Amplifier Type
Selects the type of guitar amplifier
SS, EL84, 6L6
f
Routing CMP
→ AMP, AMP → CMP
Switches the order of the compressor and amp simulation connection
g
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 177
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 177
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 177
–100...+100
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+
Compressor
Routing
Amp Simulation
Amp Simulation Filter
LEQ HEQ
EQ Trim
Output Level
Envelope - Control
Comp
a
[C] Sensitivity
Sets the sensitivity
1...100
→Fx:002
b
[C] Attack
Table , “Sets the attack level,” on page 178
1...100
→Fx:002
Output Level
Sets the compressor output level
0...100
→Fx:002
c
[O] Drive Mode Overdrive, Hi-Gain
Switches between overdrive and high-gain distortion
Drive
Sets the degree of distortion
1...100
→Fx:006
d
[O] Output Level 0...50
Sets the overdrive output level →Fx:006,
Src Off...Tempo
Selects the modulation source for the overdrive output level
Amt –50...+50
Sets the modulation amount of the overdrive output level
e
[O] Low Cutoff [Hz] 20...1.00kHz
Sets the center frequency for Low EQ (shelving type)
Gain [dB]
Table , “Sets the gain of Low EQ,” on page 178
–18...+18dB
f
[O] Mid1 Cutoff [Hz] 300...10.00kHz
Sets the center frequency for Mid/High EQ 1 (peaking type)
Q
Sets the band width of Mid/High EQ 1
0.5...10.0
→Fx:006
Gain [dB]
Sets the gain of Mid/High EQ 1
–18...+18dB
g
[O] Mid2 Cutoff [Hz] 500...20.00kHz
Sets the center frequency for Mid/High EQ 2 (peaking type)
Q
Sets the band width of Mid/High EQ 2
0.5...10.0
→Fx:006
Gain [dB]
Sets the gain of Mid/High EQ 2
–18...+18dB
h
Routing CMP → OD, OD → CMP
Switches the order of the compressor and overdrive connection
i
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 177
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 177
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 177
–100...+100
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+
Routing
Overdrive / Hi-Gain
3 Band PEQ
Output Level
Mode: Overdrive / Hi-Gain
Drive
Driver
Compressor
Output Level
Envelope - Control
Comp
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