DELAY Group
Delay
patterns
here
make
the
use
of
a stereo
configuration;
the
delay
time
can
be
set
independently
for the
left
and
right
channels
.
The
natural
damping
of
high
frequencies
for more
accurate
reproduction
of
the
decay
of
high
frequencies
in an
actual
room
can be
achieved
by
using
the high
damp
parameter.
10. STEREO DELAY
A
stereo
delay
effect
having
two
delay
systems,
each
of
which
has a
feedback
circuit
that
sends
part
of
the
sound
back
to
the
delay again. All
parameters
except
delay
time
are
set
to the same value for
the
two delays.
EFFECT
1
Stereo
Dela~
TiMe
L
[MS]
L~50
R260
F+50
HD10
L+00
H+00
70:30
A B C 0 E F G M
Ciiiiiiiit tiiiiiiiiiiit
Ciiiiiiiit
Ciiiiiiiit
Ciiiiiiiit
Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit
DELAY
DELAY
11. CROSS DELAY
A stereo
delay
in which the
feedback
signal
of
each
delay
crosses
over
and
is
rout
ed to the
other
delay
.
EFFECT
1 Cross
Dela~
L180
R360
F+§0
HD10
Feedback [%]
L+00
H+00
70:30
A B C 0 E F G M
Ciiiiiiiit tiiiiiiiiiiit
Ciiiiiiiit
Ciiiiiiiit
....,
Ciiiiiiiit Ciiiiiiiit
Ciiiiiiiit
~L
Delay Time Left
0-500
[mSec]
[fil R
Delay Time Right
0-500
[mSec]
@]F
Feedback
-99-+99
[%]
@]HD
High Damp
0-99
[%]
(f]L
EQLow
-
12-
+12 [dB]
@]H
EQHigh
-12-
+12 [dB]
IB1
DRY:EFF Balance DRY. 99:1
-1:99,
EFF
DELAY
DELAY
Time between the direct sound and effect sound
of
th
e left
channel (Input A or C)
Time between the direct sound and effect sound
of
the
ri
ght
channel (Input B or D)
Amount
of
feedback (negative values produce inverted
phase)
The larger the value set, the faster the frequencies are
damped.
Control for cutting or boosting the low frequency
components.
Control for cutting
or
boosting the high frequency
components.
Output balance
of
direct sound and effect sound
42
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