Roland V-Bass - Delay

60
Chapter 5. Parameter guide
● If the type is set to “PD SHIFT”
PITCH -24–+24
Specifies the amount of pitch shift that will occur when you
operate the pedal.
MODE
Selects the pedal shift mode.
SET PDL (Setting Pedal)
Assign the Pedal Shift function to the V-Bass’s EXP pedal.
● If the type is set to “VIBRATO”
TRIGGER OFF, ON
Use the foot switch to turn vibrato on/off.
* This effect assumes that you will press the foot switch to
trigger the effect only when you want to produce vibrato. It
would be useful when you assign it to the CTL pedal, and use
it while you perform (p. 23).
RATE 0–100, BPM –BPM
Adjusts the frequency of vibrato.
* If this is set to BPM, the value of each parameter will be set by
the tempo value (p. 23) specified for each patch. This makes it
easy to create effect sounds that are synchronized to the tempo
of your song.
DEPTH 0–100
Adjusts the depth of vibrato.
RISE TIME 0–100
Adjusts the time from when the trigger is turned on until
vibrato reaches the specified level.
DELAY
By adding a delayed sound to the direct sound, this gives the
sound more depth or creates special effects.
ON/OFF
Switches DELAY on/off.
* You can turn the VALUE dial to select PRESET.
DLY TIME (Delay Time)
0–1800 msec, BPM –BPMBPM
Adjusts the delay time.
* If this is set to BPM, the value of each parameter will be set by
the tempo value (p. 23) specified for each patch. This makes it
easy to create effect sounds that are synchronized to the tempo
of your song. (If the specified time is too long, the parameter
will synchronize to twice or four times the actual tempo
value.)
* To set this in 1 msec units, press [F4] (FINE).
TAP TIME OFF, 0–100%
Adjusts the delay time of the R channel. The Return channel
delay time is adjusted relative to the delay time of the L
channel, considered as 100%.
The delay time of the L and R channels will be the same,
when you set the value to 100%.
OFF is equivalent to the value set to 100%.
FEEDBACK 0–100
Feedback refers to a portion of the delayed sound that is
returned (fed back) to the input of the delay. This parameter
adjusts the amount of sound that is returned to the input.
Increasing this value will increase the number of times that
the delay is repeated.
HIGH CUT (High cut filter) 700 Hz–11.0 kHz, FLAT
Cuts the frequency region that lies above the specified
frequency. This adjusts the frequency at which the high cut
filter will begin to operate. If you set this to “FLAT,” the high
cut filter will not operate.
DLY LEV (Delay Level) 0–120
Adjusts the volume of the delay sound.
POLY This allows you to play chords.
MONO Compared with conventional pitch shifters, this has
less sense of modulation (instability). Play single
notes only.