All 12 channels have its dedicated pitch control. Rotate the PITCH encoder to adjust the pitch of
current sample, ranging from -12 semi-tone to +12 semi-tone. PITCH affects the sample pitch via
changing the playback speed. Thus, lower value will also make the sample play longer, higher value
will make it play shorter.
2.1.1 PITCH
Each of 12 channels on Essential D1 featuring a dedicated envelope. Beside of CH & OH channels,
which have both ATTACK and DECAY stage adjustable, other channels only get DECAY stage for user to
adjust.
In envelope effects, attack stands for the time where level from zero to maximum. Shorter attack
time will make the sound more punchy while longer attack time will usually let the sound more
mellow. On Essential D1, ATTACK only appears on CH and OH channels, controlling via PARAM.1
encoder.
●
ATTACK [only for CH & OH, as PARAM.1]
In envelope effects, decay stand for the time where level from maximum to zero. Each of 12
channels gets its dedicated control (DECAY encoder) on the decay parameter, ranging from 0.1 to
10 seconds. When set to 127, envelope will be bypassed and the sample will playback from start to
finish without any impact on level.
●
DECAY
2.1.2 ENVELOPE
Each of 12 channels on Essential D1 featuring a dedicated envelope. Beside of CH & OH channels,
which have both ATTACK and DECAY stage adjustable, other channels only get DECAY stage for user to
adjust.
2.1.3 FILTER
The low-pass filter is used for filtering out the high frequency content. Samples that run throught
this effect will become muffled, which is ideal for sounds like bass drum and low tom etc.
The Essential D1 provides LP CUTOFF parameter controlled via PARAM.1 encoder. By rotating this
encoder, you can adjust the filter cutoff point. Lower value will make the sound more muffled,
while higher value will make the sound brighter.
●
LOW-PASS FILTER, LPF [only for BD & LT, as PARAM.1]
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